While combing through the belongings of his recently deceased aunt, Matsuko, nephew Sho pieces together the crucial events that sank Matsuko’s life into a despairing tragedy.
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Mulder and Scully, now taken off the FBI’s X Files cases, must find a way to fight the shadowy elements of the government to find out the truth about a conspiracy that might mean the alien colonization of Earth.
Daivathinte Swantham Cleetus revolves around Cleetus (Mammootty), a dreaded long-haired rogue. He surprises the parish priest (Siddique) by his uncanny resemblance to Jesus Christ in looks and mannerisms. He is roped in by the priest for the role of Jesus Christ for a light and sound show for their upcoming festival. His real self comes to the fore during rehearsals. The fact that he is a goon is revealed, yet the priest decides to persist with him in the belief that the experience of performing the noble character will lead to his transformation. Things change in the life of Cleetus after that. Events that occurred in the life of Jesus Christ start occurring in the life of Cleetus too. What happens to Cleetus and the people surrounding him form the rest of the story.
Will is a rising star in New York City architecture, managing a tough project and negotiating to join an important firm. He rarely smiles. His wife Catherine is on the rise as well, as the social engine of his success. They have a son, about eight. Will hits a bump when he meets Kate, a designer of smaller spaces whose work Will has seen (at his son’s school). He recommends her for a project, neglects to tell her he’s married, and sort of seems available. She falls hard, then meets Catherine and gets a job offer in L.A. Should Will sign with the big firm, go with Catherine on a dream vacation in the Caribbean, and wonder about Kate in L.A.? A flock of birds may hold the answer.
André Masson, an auctioneer at Scottie’s, receives a letter from a lawyer claiming that a common worker in the suburbs of Mulhouse owns a painting by Egon Schiele. André’s first reaction is to believe that it can only be a fake. He decides to make the trip to Mulhouse anyway and against all odds, the painting turns out to be a masterpiece gone missing in 1939. This could undoubtedly be the turning point of his career, but after a brief investigation, he realizes that he has in his hands a looted work of art.
Jeffrey “The Dude” Lebowski, a Los Angeles slacker who only wants to bowl and drink white Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.
NYPD detectives Christopher Danson (Johnson) and P.K. Highsmith (Jackson) are the baddest and most beloved cops in New York City. They don’t get tattoos, other men get tattoos of them. Two desks over and one back, sit detectives Allen Gamble (Ferrell) and Terry Hoitz (Wahlberg). You’ve seen them in the background of photos of Danson and Highsmith, out of focus and eyes closed. They’re not heroes, they’re “the other guys.” But every cop has his or her day and soon Gamble and Hoitz stumble into a seemingly innocuous case no other detective wants to touch that could turn into NYC’s biggest crime. It’s the opportunity of their lives, but do these guys have the right stuff?
The former World Heavyweight Champion Rocky Balboa serves as a trainer and mentor to Adonis Johnson, the son of his late friend and former rival Apollo Creed.
Jake Speed (Wayne Crawford) is the lead character in some of the biggest page-turners of the 1940s. A chiseled, heroic action figure, Speed saves lives on paper, but when a young girl is kidnapped and her sister (Karen Kopins) begs the real-life Speed for help, he must find a way to be as gallant as the book hero whose creation he’s inspired. Accompanied by the victim’s sibling, Speed flies to Africa to see if he’s up to the task.
Micky Adams (Kelsey Grammer), an eccentric has-been rock musician, loses his grip on reality as his record label looks to drop him and his new “unique” albums. In hopes of breaking out of the mailroom, young Charlie Porter (Jackson White) is tasked with traveling to the musician’s bizarre home and forcing Micky out of his contract. Micky realizes Charlie could be the key to an artistic breakthrough and the pair’s unlikely friendship grows. The odd but powerful bond helps both gain perspective on the music industry, life, love… and the space between.
