In modern-day Metro Manila, a diverse group of Filipinos faces life’s lows as their destinies collide on a fateful train ride, unfolding a heartwarming and comedic tapestry of interconnected stories.

This adventurous romantic comedy with a light hint of eroticism tells the story of Valentine’s night miracles – it is a night, when everyone should stop lying to themselves – and to others.

Four 22 year-olds on a Mexican road trip seem bound for disaster until they, and their trip, are unexpectedly redeemed by a series of miraculous events.

Two college grads return to their hometown, where a hypothetical question — whose dad would win in a fight? — leads to mass mayhem.

A young man’s visit to his native village unveils a family secret and a vengeful spirit, Munjya, who wants to get married. Now the young man must fight to protect himself and his love from Munjya’s clutches leading to a humorously chaotic and terrifying adventure.

A financially-strapped charter pilot hires himself to an oil tycoon to kidnap his madcap daughter and prevent her from marrying a vapid band leader.

The story of the rise of a madame of a suburban brothel catering to older men, inspired by the real experiences of Cynthia Payne. The story follows Christine Painter (Julie Walters) as the down-at-heel waitress who, with the help of prostitute Shirley (Shirley Stelfox) and cross-dressing Wing Commander Morten (Alec McCowen), seeks to up her earnings by turning her suburban home into a brothel. Before long she and her girls are chaining up judges, spanking Generals and attending to the needs of Honourable Members. Christine sees herself as providing a vital service to these harmless pervs and when finally the house is busted and the case comes to court, it’s fair to say that the presiding judge isn’t unfamiliar with her work.

Paddington, now happily settled with the Browns, picks up a series of odd jobs to buy the perfect present for his Aunt Lucy, but it is stolen.

If Columbia could make an acceptable movie star out of opera-diva Grace Moore, then RKO Radio could do the same with Lily Pons. At least that was producer Pandro S. Berman’s reasoning when he cast Pons in the 1935 musical romance I Dream too Much. The actress plays Annette, a rural French musical student who marries struggling American composer Jonathan (Henry Fonda). Possessed of a splendid singing voice, our heroine rises to fame on the opera stage, while poor Jonathan continues struggling, supporting himself as a tour guide. Annette eventually saves her marriage by transforming her husband’s “masterpiece,” a rather turgid modernistic opera, into a light-hearted musical comedy. Lucille Ball, who’d later co-star with Henry Fonda in The Big Street and Yours, Mine and Ours, has a funny minor role as a gum-snapping tourist. Though Lily Pons was at least 10 years older than Fonda, they make an attractive and believable screen couple, adding credibility to this somewhat contrived yarn

Follows Gia, who has to deal with the challenges and insecurities of “adulting” during her 21st birthday.

After a year of long-distance, Raquel and Ares reunite on a steamy beach trip. Faced with fresh flirtations and insecurities, will their love prevail?

Not Available right now