Documentarian Richard Morris examines both the onstage and offstage lives of veteran cabaret entertainers John Wallowitch and Bertram Ross. Since 1984, Wallowitch and Ross have been a performing duo, entertaining nightclub audiences with such acid-tongued musical parodies as “If You Don’t Love Me, I’ll Kill Myself — Or Maybe I’ll Kill You” and “Don’t Do To Me What Woody Did To Mia.” Wallowitch and Ross have also been lovers for 30 years, who met while while both were active in the New York creative community; Ross spent close to three decades as a dancer with the Martha Graham company and Wallowitch is a Julliard-trained pianist and songwriter with over 1,000 compositions to his credit. Morris exmines Wallowitch and Ross both as artists and members of the gay community without patronizing or exploiting them in the process.

A 70-minute sequel to The Great Deception. In this work, Zwicker contends that fear was used to control the public after 9/11, and states that the “War on Terrorism” is a public control mechanism. He also analyses the military breakdown on 9/11 and claims that the president and his aides acted entirely inappropriately that day. Throughout, mainstream media is accused of being either compliant or complicit with a cover-up.

A journey to find the origins of knowledge.

Poking fun at his much-publicized brouhaha with Southwest Airlines, writer, director, actor and ardent podcaster Kevin Smith declares himself too fat for his 40th birthday in a hilarious Q-and-A session with his rabidly loyal fans. Filmed at the Count Basie Theater in Smith’s hometown of Red Bank, New Jersey, this two-hour comedy special spotlights not only Smith’s self-deprecating sense of humor, but also his fondness (and true gift) for spinning a good yarn.

Amidst an old London clock shop, a small, quirky mantle clock comes to the aide of the store’s more expensive clocks when a thief breaks in and threatens to steal them away.

Isaac Mizrahi, one of the most successful designers in high fashion, plans his fall 1994 collection.

An in-depth look at an incredible moment in film history when Steven Spielberg and George Lucas assembled an amazing creative team to collaborate on another cinematic benchmark featuring never-before-seen footage and interviews with Spielberg, Lucas, Harrison Ford, Kathleen Kennedy, Frank Marshall, James Mangold, and many others as well.

After a decade of making music together, Jim and Sam, a recently married singer/songwriter duo from Los Angeles, were not the conventionally successful band they hoped they’d be. Feeling stuck and anxious about their future, the duo made a spontaneous decision to go “all in,” making a pact to play one show every day for a year. With suitcases and a guitar, the troubadours ventured out for a 365-day tour down unexplored roads, and onto unexpected stages, bringing their music to new audiences throughout 14 different countries. After So Many Days, is an intimate front row seat to the highs and lows of what it’s like for two people to pursue a dream, together.

Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits – mostly working class, mostly self-educated – adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.

Oak Tree: Nature’s Greatest Survivor. In this landmark new BBC documentary, entomologist George McGavin takes us on a fascinating journey through a year in the life of a 400-year-old oak tree.

A young criminal plans his first murder which will be carried out before an old man, his plan does not go as expected and takes a 180 degree turn.

One night a couple leaves a reception in a bad way. The nervous and extroverted wife blames her husband for a lot of things. Mainly for infidelity, as she attributes to him countless extramarital affairs, possible and improbable. On the other hand, the husband passively accepts her aggressive behavior without speaking. She thinks about their surroundings, the friends and relatives who influence her. The free throw will be given by a stranger, hitchhiking in the middle of the road.