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Adventure – A heartfelt story of an estranged brother and sister who must put aside their differences in order to solve an elaborate treasure hunt, left for them in the will of their eccentric father.
Biopic of the famous French writer Emile Zola and his involvement in the Dreyfus Affair.
Follows Helen and her daughter Lauren, who go on a trip to an isolated cabin in the cold north and meet a hitchhiker who actually is a thief trying to evade a cold-blooded killer, and now Helen and Lauren are on the murderer’s radar too.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
When young and successful reporter Jamie finds out that her sister has died in mysterious circumstances, she travels to Singapore to uncover the truth. There, she discovers multiple deaths linked to her sister’s and must join forces with her sister’s husband in order to defeat a demonic entity that is using new technology to complete an ancient mission.
Four loser gangsters devise a scheme that is eviously ingenious (or profoundly stupid): to disguise a minibus as a police vehicle to rob cross-border rucks that carry human carcasses with money inside. The ploy kicks into action one evening in the New Territories, and the plot thickens with spooky and deadly encounters, including one with an identical police car – also a fake, but manned by killer gangsters who are after the same dead bodies.
Dawn of the Dragonslayer tells the story of Will (Richard McWilliams), a shepherd’s son whose land is ravaged by a dragon.
This drama depicts the misery of neglected children in big cities. 13 years old Bruno is of a good family, but since the death of his grandmother he spends most of his time alone, in a phantasy world, while his mother is away at work. But then he befriends the violent Jean-Roger, who’s from a severely disturbed family, where nobody cares what he’s doing. In school Jean-Roger drives their teacher into despair just for fun. To separate the two boys, she starts to stimulate Bruno’s interests by giving him extra lessons. When Jean-Roger fears loosing his one and only friend, he becomes even more aggressive.