Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate.
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To Russia with Love examines human rights through the lens of LGBT athletes, with American athlete and commentator Johnny Weir serving as the viewers’ guide.
Taking bribes and making deals is as essential as being a good rider in the Palio, the world’s oldest horse race. Giovanni, a young jockey, is up to the challenge when he faces his former mentor on the track. What ensues is a thrilling battle with the intoxicating drama that is at the center of Italian tradition.
The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.
July 1, 2000. British 21-year-old Lucie Blackman goes missing in Tokyo, sparking an international investigation — and an unyielding quest for justice.
A documentary following the Black Arm Band, a gathering of Australia’s finest Aboriginal musicians, as they take to the road with their songs of struggle, resistance and freedom.
Pu Zhe , the younger brother of the Emperor of Manchukuo, Pu Wen, marries Ryuko the daughter of a long-established aristocratic family – all in the interest of the Japanese rulers , which legitimizes the relationship between Japan and its Chinese puppet state. To the surprise of all , a deep love between Pu Zhe and Ryuko develops. It is put to the test when Japan loses the war, Manchukuo is dissolved and the imperial court must flee. The lovers now have to separate: Pu Zhe tries to escape to Japan with his brother , while Ryuko flees with her daughter Eisei over the country. A film on the relationship between Pujie (1907-94) , brother of the ” last emperor ” Puyi and his second wife, Marquise Hiro Saga (1914-87).
In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.
Filmed on the road during his 2022 Greatest Hit Tour, director Chris Atkins followed James Blunt across Europe and delves into James Blunt’s unique backstory. From witnessing the Kosovo War, recording the biggest selling album of the ’00s, enduring the backlash that followed his success, and then tweeting his way back to becoming a national treasure, this is an intimate portrait of James Blunt as never seen before – a brutally honest story of a painfully self-aware, endlessly touring musician, for whom persistence eventually prevails.
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From “The Rocky Horror Picture Show” to “The Big Lebowski” and everything in between, this fascinating deep-dive documentary begins its celebration of the greatest cult movies of all-time discussing the birth of the midnight movie.
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