Strong Puerto Rican women forced to flee the island after Hurricane Maria have bonded like family in a FEMA hotel in the Bronx. They seek stability in their new life as forces try to pull them apart.

An investigation of how Hollywood’s fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.

Baratometrajes 2.0 is a feature length documentary on low-budget films made ​​in Spain and dives deep and directly in the guts of most independent films, their characteristics and their reasons for being. More than forty interviews with directors, producers, journalists, cultural managers and distributors are shaping a broad mosaic of opinions and adventures of different creators to get their films and turn them into a reality, allowing the cameras to talk through their methodology work and the secrets that lie behind the making of these productions. Movies like “El mundo es nuestro,” “Mi Loco Erasmus” or “The Cosmonaut” are part of the object of study of this essential documentary that brings us to the reality of New Spanish Cinema Lowcost.

Josh McDowell finds faith after enduring abuse as a child.

73 years after WWII veteran Patrick Thomas’ ship vanishes, he meets archaeologist John Henry Phillips. Fuelled by their unexpected bond, John makes a shocking promise to find the ship and build a memorial with Patrick by his side.

A story of soul searching, science, nature and creativity, InnSæi takes us on a global journey to uncover the art of connecting within in today’s world of distraction and stress.

Trevor Noah recounts his amusing travels around the world, from foreign national anthems to different cultural norms.

Why do 11,000 people die in America each year at the hands of gun violence? Talking heads yelling from every TV camera blame everything from Satan to video games. But are we that much different from many other countries? What sets us apart? How have we become both the master and victim of such enormous amounts of violence? This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist’s Cookbook to the murder of a six-year-old girl by another six-year-old, Bowling for Columbine is a journey through America, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.

In 2003, on the eve of the Iraq war, acclaimed director Iara Lee embarked on a journey to better understand a world increasingly embroiled in conflict and, as she saw it, heading for self-destruction. After several years, traveling over five continents, Iara encountered growing numbers of people who committed their lives to promoting change through the arts. This is their story. From IRAN, where graffiti and rap have become tools in fighting government repression, to BURMA, where monks acting in the tradition of Gandhi take on a dictatorship, to PALESTINIAN refugee camps in LEBANON, where photography, music, and film have given a voice to those rarely heard, CULTURES OF RESISTANCE explores how art and creativity can be ammunition in the battle for peace and justice.

Misfits to Yuppies is the last of three films (Dom kallar oss mods, Ett anständigt liv, Det sociala arvet) that shows conditions for addicts in Stockholm and try to find out how social legacy have been transferred to their children from previous films.

Hey, Boo explores the life of reclusive author Nelle Harper Lee, shedding light on the context and history of her Pulitzer Prize-winning novel To Kill a Mockingbird.

The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.