Many people first became aware of the Shatila refugee camp in Lebanon after the shocking and horrific Sabra-Shatila massacre that took place there in 1982. Located in Beirut’s “belt of misery,” the camp is home to 15,000 Palestinians and Lebanese who share a common experience of displacement, unemployment and poverty. Fifty years after the exile of their grandparents from Palestine, the children of Shatila attempt to come to terms with the reality of being refugees in a camp that has survived massacre, siege and starvation. Director Mai Masri focuses on two Palestinian children in the camp: Farah, age 11 and Issa, age 12. When these children are given video cameras, the story of the camp evolves from their personal narratives as they articulate the feelings and hopes of their generation.

A documentary special taking a look at the upcoming films making up the DC Universe. Kevin Smith hosts with Geoff Johns, as they take a look at Batman vs Superman: Dawn of Justice, Suicide Squad, the upcoming Wonder Woman and Justice League movies.

Bettie Page was the top pin-up queen of the 50s and developed a cult following in the 80s. She is known for her distinctive hair style and is reputed to be the most photographed pin-up model of all time. This compilation shows Bettie’s playful side, featuring her scenes from the full-length burlesque films Striporama (1953), Varietease (1954) and Teaserama (1955) and a dozen complete short films from the 50s including Tantalizing Betty Dances Again, Tambourine Dance, Joyful Dance by Betty, Betty’s Hat Dance, Dream Dance by Betty, Dance of Passion, Betty’s Clown Dance Part 2, Betty’s Lingerie Tease Dance, Betty’s Second G-String Dance, Betty’s Fireplace Dance, and Pin-Up Beauties Fight (with June King).

A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.

In this austere and sorrowful portrait of his hometown, St. Louis, Harris sets his black-and-white 16mm camera loose to wander through the city’s decaying northside neighborhoods, an area populated almost exclusively by working class and working poor African Americans. Gliding down empty streets, across the facades of once-elegant homes, entering condemned buildings, the camera makes a detached but ultimately damning portrait of civic neglect and apathy. Poignantly, human beings are rarely encountered; their presence haunts the soundtrack of eerie footsteps, an unanswered telephone, and sparse voiceover commentary from found sources.

In an Oklahoma town with 2,000 churches, OpenArms is a small shelter for LGBT teenagers. This doc follows three teens who find love and friendship in a world that labels them outcasts.

Nicu, a homeless street kid, is adopted by the notorious ‘Bruce Lee’ and brought up in the subterranean tunnels of Bucharest. As he grows up, he begins to realise that this ‘King of the Underworld’ may not be the father that he needs. Filmed over five years by photographer Joost Vandebrug, the film is a real life Oliver Twist story about growing up, and finding a family.

At the heart of the HIV/AIDS crisis and widespread hysteria, a single number and letter designated a ward on the fifth floor of San Francisco General Hospital, the first in the country designed specifically to deal with AIDS patients. The unit’s nurses’ emphasis on humanity and consideration of holistic well-being was a small miracle amidst a devastating crisis and the ensuing panic about risk and infection.

A look at the Apollo 11 mission to land on the moon led by commander Neil Armstrong and pilot Buzz Aldrin.

Various photogenic couples demostrate the different techniques of making love (from Kama Sutra), while a female voice narrates sporadically. The film is divided into chapters, each dealing with a different aspect of sex or foreplay.

The history and humor of the fart

The stranger-than-fiction true story of a Russian mobster, a Miami playboy, and a Cuban spy who teamed up in the early ’90s to sell a Soviet submarine to the Cali Cartel.