Kika, a young cosmetologist, is called to the mansion of Nicolas, an American writer to make-up the corpse of his stepson, Ramon. Ramon, who is not dead, is revived by Kika’s attentions and she then moves in with him. They might live happily ever after but first they have to cope with Kika’s affair with Nicolas, the suspicious death of Ramon’s mother and the intrusive gaze of tabloid-TV star and Ramon’s ex-psychologist Andrea Scarface.
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On the 6th December 1995, three Essex gang members were brutally murdered in cold blood. It’s now early 1997 and whoever killed the three men have yet to be brought to justice. An associate of the men, still mourning the loss of his friends, is convinced that it’s only a matter of time before he’s next. For him, the only way out is to go back in and work his way back up the criminal ladder. The higher he gets, the more violent the jobs become, his quest for power turning into an obsession. With life and family on the line can he hold his nerve together one last time in order to get out alive?
Mairy, a thirty-year-old woman from Philippines, works in a village in Cyprus. She takes care of Mr. Michalis, an eigthy-five-year-old man with arteriosclerosis. Mr. Michalis spends his days in front of the television, watching time and again a soap opera with a heroine named Anna. He soon becomes obsessed with this heroine, to the point of calling Mairy ‘Anna’, despite the remarks of his daughter Melpo. When Mairy finds some old photographs she makes an important discovery…
Edda Chiemnyjewski, a freelance press photographer and single mother living in 1970s West Berlin, is confronted with the fact that “a cook has no time for affairs of state”. She also fails to find a market for the project she has been working on with her women′s photography group that seeks to document the city. While from today′s perspective the city, which becomes one of the film′s protagonists, looks like post-war Berlin, little has actually changed as regards the precarious existence of free-lancers. With a heavy dose of self-irony Helke Sander, who also plays the leading role, tells of a divided life in a divided city.
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Mat Tudung Begins tells the story of a boy named Johari who works in a hotel. The Hotel where he works will receive the arrival of the Forbest jury which is an evaluation organization that will evaluate whether the hotel deserves an extra star or not. Unfortunately, the hotel was told that the jury would come secretly and make an assessment for one week. This decision really upset Abang Gee as a Manager of the hotel. Then Johari along with his colleague, Sabri began to suspect that a family that came to stay at the hotel was the jury of The Forbest. This is because the character and gestures of Dato Wahab and Datin Mun’s family daughter, Neesa, are very suspicious and they don’t look like a real family. Meanwhile, Johari also tried to approach Neesa but failed. Finally, Johari had to use the method of disguising himself as a veiled woman named Johana just to get close and approach Neesa.