Anita Chitaya has a gift: she can help bring abundant food from dead soil, she can make men fight for gender equality, and maybe she can end child hunger in her village. Now, to save her home in Malawi from extreme weather, she faces her greatest challenge: persuading Americans that climate change is real. Traveling from Malawi to California to the White House, she meets climate sceptics and despairing farmers. Her journey takes her across all the divisions that shape the USA: from the rural-urban divide, to schisms of race, class and gender, and to the American exceptionalism that remains a part of the culture. It will take all her skill and experience to help Americans recognise, and free themselves from, a logic that is already destroying the Earth.

George Anthony Morton, a classical painter who spent ten years in federal prison, travels to his hometown to paint his family members. Going back forces George to face his past in his quest to rewrite the script of his life.

The LMN special, “The Secret Tapes of the O.J. Case: The Untold Story,” reveals new insights into both the events surrounding the verdict of the criminal trial, and the various disturbing facets of O.J.’s personality, through statements by O.J. himself. The documentary exposes disturbing realities about O.J.’s thoughts, feelings and behavior before, during and after the trial. And an audio recording that O.J. secretly taped, prior to the infamous Bronco Chase, is heard. The special features rare interviews with key players on both sides of the case, including extensive, candid discussions with Robert Kardashian and Kris Kardashian Jenner.

Vintage tomorrows examines the steampunk movement’s explosive growth, origins, and cultural significance. It explores the fundamental question: what can we learn about tomorrow from steampunk’s playful visions of yesteryear?

On the night of Oct. 2, 2005, Hart and Dana Perry’s 15-year-old son Evan jumped to his death from his New York City bedroom window. This moving film is the story, told by his filmmaker parents and others who knew him, of Evan’s life and death, and his life-long struggle with bipolar disorder. It delves into the complexity of Evan’s disease, sharing his family’s journey through the maze of mental illness. In showing how one family deals with generations of loss and grief, the film defies the stigma related to mental illness and suicide and tells a human story that touches everyone.

The science of Christopher Nolan’s sci-fi, Interstellar.

Murder Games tells the true story of Breck Bednar, the 14 year-old schoolboy who was lured to his death after being groomed online by Lewis Daynes.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

New Zealand film archivist Heperi Mita traces the cinematic legacy of his mother and trailblazing Maori filmmaker Merata Mita.

Martin Scorsese presents this very personal and insightful new feature-length documentary about British filmmakers Michael Powell and Emeric Pressburger.

An animated feature-length documentary telling the story of the life of Crulic, a 33 year-old Romanian accused of having stolen a wallet from an important Polish judge. Crulic was brought to the Krakow Detention Center Custody prison. He decided to start a hunger strike from the day he was arrested, demanding a meeting with somebody from the Romanian Consulate.

In the summer of 2015, former US Marine and world record weightlifter Matt “Kroc” Kroczaleski was publicly outed as being transgender. The reaction was universal: her sponsors abandoned her, she was disowned by her parents, banned from competing, and she changed her name to “Janae”. This film follows Janae as she attempts to find her place in society. Initially wanting to strip off the muscle and become a much smaller looking woman, she found herself unable to lose the muscle she so desperately gained. She now finds herself living one day as an alpha male and the next day as a delicate girl. Will Janae be able to handle her muscle relapses? Will her passage from being a male bring her the peace she’s looking for? Will society accept a 250lbs muscular woman? Is her path personal redemption or physical and psychological disaster?