GASP is a popular alternative band. Conflict arises when the lead singer To-Y is offered a pop idol contract that stipulates he leave the rest of the band behind.

Director Spike Lee chronicles Michael Jackson’s early rise to fame.

A band struggles to reconcile for a reunion tour a decade after a contentious break-up and a fatal accident.

Julie is haunted by her grief after living through a tragic auto wreck that claimed the life of her composer husband and young daughter. Her initial reaction is to withdraw from her relationships, lock herself in her apartment and suppress her pain. But avoiding human interactions on the bustling streets of Paris proves impossible, and she eventually meets up with Olivier, an old friend who harbors a secret love for her, and who could draw her back to reality.

Archie Rice, an old-time British vaudeville performer sinking into final defeat, schemes to stay in show business.

Yallah! Underground follows some of today’s most influential and progressive artists in Arab underground culture from 2009 to 2013 and documents their work, dreams and fears in a time of great change for Arab societies. In a region full of tension, young Arab artists in the Middle East have struggled for years to express themselves freely and to promote more liberal attitudes within their societies. During the Arab Spring, like many others of this new generation, local artists had high hopes for the future and took part in the protests. However, after years of turmoil and instability, young Arabs now have to challenge both old and new problems, being torn between feelings of disillusion and a vague hope for a better future.

When a bubbly American hip hop dancer goes to India with her family for a wedding, she is impressed by a new dance style and falls in love with the man who introduced her to it.

While serenading a wedding that quickly implodes, a nomadic musician falls for the bride, who runs afoul of her family. Now he has to save her life.

A movie that starts out with the “Man in the Mirror” music video, it then changes to a montage of video clips of Michael’s career. Next comes a parody of his Bad video by children, and then Michael is chased by fans in a fantasy sequence. 2 more videos are shown, and then a movie in which Michael plays a hero with magical powers. In it he is chased by drug dealer Mr. Big and saves three children. Videos included in the movie are “Smooth Criminal” and “Come Together”.

If you thought TV shows in which audiences and juries judge musical acts were a relatively new phenomenon, you’d better think again. In the 1970s, such “festivals” were incredibly popular in Brazil. They were recorded before a live studio audience, and usually featured a number of elimination rounds. They also formed the springboard for the career of many a big-name star, such as Chico Buarque, Caetano Veloso, Roberto Carlos and Gilberto Gil. Appearing on such a program was no cakewalk, however: audiences could be as wild in their condemnation as in their appreciation of an artist. Extensive archive footage (including performances and behind-the-scenes interviews) from a turbulent final of the Festival of Brazilian Popular Music one evening in 1967 paints a fascinating picture, not only of the transformation of Brazilian music into real “festival” music, but also of a society starting to buck against the yoke of military rule.

Queen Elizabeth I visits late twentieth-century Britain to find a depressing landscape where life has changed since her time.

A profile of Hip-Hop producer 9th Wonder as he accepts a position as a Harvard Fellow.