One of Hong Kong’s most influential filmmakers, Ann Hui, becomes a “star” for the first time in Man Lim-chung’s directorial debut. A forerunner of the New Wave, Hui’s tumultuous, forty-year career is an unequivocal testimony to her unyielding dedication to filmmaking, and her expedition into the metamorphic city. This biopic probes into the acclaimed director’s idiosyncratic world, where we witness her rashness and goofiness, as well as her humanistic concerns for the everyday nobodies which make her films so moving.
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Three tonnes of stolen gold. Told from the inside by the police who were there, this is the true story of Britain’s biggest bullion heist.
During the chaotic final weeks of the Vietnam War, the North Vietnamese Army closes in on Saigon as the panicked South Vietnamese people desperately attempt to escape. On the ground, American soldiers and diplomats confront a moral quandary: whether to obey White House orders to evacuate only U.S. citizens.
Prince Albert presents this revealing documentary about how the world’s most iconic Grand Prix came into being, how the circuit changed as F1 developed, and how it’s created each year.
The final entry in a trilogy of films produced for the U.S. government by John Huston. Some returning combat veterans suffer scars that are more psychological than physical. This film follows patients and staff during their treatment. It deals with what would now be called PTSD, but at the time was categorised as psychoneurosis or shell-shock. Government officials deemed this 1946 film counterproductive to postwar efforts; it was not shown publicly until 1981.
A meditation on youth, war and stunning bravery, featuring footage, taken from the National Archives, from the documentary filmed in 1943 by legendary Hollywood director William Wyler about the famous Memphis Belle flying fortress and the gripping narration from some of the last surviving B-17 pilots.
Take a journey through the ever-changing landscape of artificial intelligence with this doc exploring the challenges and opportunities ahead.
Before he became one of the world’s greatest boxers, Emmanuel “Manny” Pacquiao was a young boy living a hand-to-mouth existence, trying to survive from one day to the next. When he discovers his natural talent for boxing, he embarks on a brutal and intense journey that takes him from the mountains of the Philippines to the streets of Manila, and must risk everything to become a champion – for himself, his family, and his country.
Country music has always been Black music. For Love & Country examines the genre’s past through the lens of a new generation of Black artists claiming space in Nashville, and transforming country music in the process.
After years of touring have taken George Ezra to the furthest corners of the world, End to End is a musical journey closer to home. Joined by his best friends Adam and Christy, the musician embarks on a 1200 mile walk across the UK from Land’s End, the most southerly point of England, to John O’Groats, the northern tip of Scotland.
The story of the rise to glory of boxer Joe Calzaghe.
In 2010, the iconic Tote Hotel – last bastion of Melbourne’s vibrant music counterculture – was forced to close by unfair laws. Filmed over 7 years, “Persecution Blues” depicts the struggle of more than 20,000 fans – and the bands who inspire them – to preserve their history and protect their future, and puts the audience on the front line of an epic-scale culture war.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games’ most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.