A hilarious underworld gangster known as Munna Bhai falls comically in love with a radio host by the name of Jahnvi, who runs an elders’ home, which is taken over by an unscrupulous builder, who gets the residents kicked out ironically with the help of Munna’s sidekick, Circuit, while Munna is busy romancing Jahnvi elsewhere.
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A bee-keeper initiates fight against the society of consumption for saving the bees.
Ruby is a young lonely girl who finished Middle School and is now entering High School. She should be excited about her Summer, but she’s not because all the people she thought were her friends ignore her. Now she is forced to hang out with herself and decides to do all these activities before school starts again. With the help of her older brother she finds her she really is.
A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.
Two window washers who are mistaken by Nick Craig, a bookie, as the messengers he sent for to pick up $50,000. Now the person he sent them to sent two of his men to get the money back but they found out about it. So they try to mail to Craig but a mix up has the money sent somewhere else and the woman who got it spent it. Now Craig needs the money to pay off one of his clients.
Francisco and his closest friends play on a soccer team that has reached its lowest point. They’ve got to win one of the next three games to keep the school from cutting their team altogether. A series of strange events take place in the first two games. Coincidence? Conspiracy? Francisco and his friends decide to create The Footballest, an investigative team that will get them into all kinds of adventures, where their ingenuity and their friendships will be put to the test.
In a town divided into two opposing groups, a man and woman from opposite sides fall for each other. But can love transcend the line that separates them?
Complex plots? This director didn’t want them. Expensive, famous stars? Didn’t need them. Glorious sets and costumes? He could take them or leave them. With his choreographer Hsu Hsia, John Lo Mar liked making lean, mean, fighting movies, and fans rejoiced. Here Wu Yuan-chin stars as “the Kid,” a monk whose education in the aptly named “Crazy Lo Han Fist” finds him battling a cruel bandit’s son and befriending an abused prostitute. From then on, it’s one fight after another in another John Lo Mar martial arts marvel.
The decades spanning story of two very different policemen who rise to power in Hong Kong during British rule, and end up at odds with both organised crime groups and the anti-corruption unit vowing to bring them down.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
When Mahendra, the son of Bahubali, learns about his heritage, he begins to look for answers. His story is juxtaposed with past events that unfolded in the Mahishmati Kingdom.
