Kaan and Mete, who have a holiday in Olympos with a crowded Kadiköy group, travel to Istanbul with their engines. Two people are accompanied by two unexpected guests on their journey. This journey, which they do with various plans, shows them that the journey and the relations are not as planned at all.
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Injustice begets a criminal. Kool is an artist without prospects, a black belt in karate, and in love with LaShawna, poised and college bound. One night she witnesses a stabbing and discovers the victim is a cop as he dies in her arms. She’s jailed for murder by the infamous Ramparts Division of the LAPD. Kool wants to prove her innocence, and Tully, the cynical detective in charge, ignores LaShawna’s case but uses Kool to break up an incipient crime operation. She’s in danger because the guilty parties fear that the officer talked before he died. While in jail awaiting a hearing and legal help, she’s beaten to death by a rogue cop. Kool vows revenge: the Hot Boyz are born.
There are two places Nicky Leandro calls home each reinforcing a particular facet of his personality: the red-blooded New Yorker and the L.A. transplant. Up until now each have done a fine job of compartmentalizing themselves. That is until Lily, an old flame, gets a hold of him right as he’s about to head home for the holidays.
1982, Poland. A translator loses her husband and becomes a victim of her own sorrow. She looks to sex, to her son, to law, and to hypnotism when she has nothing else in this time of martial law when Solidarity was banned.
Traveling forward in time isn’t all it’s cracked up to be, as Sean Graves learns the hard way. He’s supposed to spy on his future self to determine if he should pursue a new romantic love interest. Even though he’s warned to not interfere, Sean decides he has to investigate for himself the tension between the man who he is now and who he will become. Even more dauntingly, once Sean is sent back to the past, “Future Sean” has to deal with the consequences of all the versions of his multiple selves’ actions.
A man confesses his sins and unveils the ugly truth of his life; he is killing for the same mobster that killed his father. Will Vinny Dapello follow his father’s footsteps in the organized crime family? Or sacrifice his soul to save his life?
A story of a fragmented friendship finding new ground, director Daniel Stine’s feature film debut Virginia Minnesota begins with a young woman at a crossroads. Her direction in life a question mark, Lyle (Rachel Hendrix) heads off on an impromptu road trip, running into a former friend, Addison (Aurora Perrinau). Addison is also adrift, and the two find themselves on the road together. Separated by a childhood trauma, Addison and Lyle must face their shared history in order to move on as adults. Through the trip they learn not only the influence of their lost friendship on their current lives, but how their new bond will shape their future as young adults.
This is the story of policeman who has been on the job for over forty years. And one of his duties is to look out for all of the officers under him cause he is the watch commander. And it seems that a lot of them have a lot of problems including the new lieutenant. And a 15 year veteran who’s feeling the stress of the job. And at the same time he is being egged by the captain to retire cause he thinks he’s too old. And his wife would like him to retire also.
American war veteran Will Spalding has tracked the sadistic Nazi Colonel who executed his bomber crew during WWII to a remote location in South America. But he is in for more than he bargained for when he uncovers a secret Nazi headquarters known as the Condor’s Nest.
“Hankyu Densha” follows the lives of various people who commute on Hankyu Railway’s Imazu Line – connecting the cities of Nishinomiya and Takarazuka in Hyogo prefecture. One of the commuters is Shoko (Miki Nakatani), an office worker in her 30s who lost her boyfriend to a younger colleague. There’s also a college student (Erika Toda) who is so easily persuaded by her no good boyfriend. Other commuters include a grandmother & granddaughter, a house wife, a female high school student, and a female otaku college student. Although the train ride takes only 15 minutes between two stations, the lives of these commuters are changed as they interact with each other…
Hirayama is content with his life as a toilet cleaner in Tokyo. Outside of his structured routine he cherishes music on cassette tapes, books, and taking photos of trees. Through unexpected encounters, he reflects on finding beauty in the world.