In the late 19th century, a young woman moves to Amsterdam with her family and tries to make a living. Preyed upon by various men, she nonetheless rises in society.
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Anglo-Indian Victoria Jones seeks her true identity amid the chaos of the British withdrawal from India.
Eternity (aged 10) lives in a haunted gatehouse at the edge of an ancient forest. She likes to dig for buried treasure in the woods, but one day she digs up something she shouldn’t and the forest want it back.
A father trying to mend his relationship with his wife and save his family finds himself in the midst of the coup attempt on the night of July 15th with his son. Cihangir, an engineer at TÜRKSAT, tries to prevent the coup plotters from cutting off broadcasts and breaking the people’s resistance. At the same time, Cihangir is also striving to protect his son and win back his family. In the end, Cihangir emerges victorious and becomes a true hero on his son Can’s birthday by fighting against the coup plotters.
A man wakes up in an alley, bleeding and with no memory of who he is. He stumbles into a coffee shop and is befriended by a charitable ex-nun who is failing in her attempts to write marketable pornography.
A car accident traps two men inside a car near the water. With the tide coming in, they discuss the circumstances that led up to the accident.
A priest (Robert Ginty) learns that he fathered a child during his tour of duty in Vietnam and that the mother and child has relocated to Houston, Texas in the Little Saigon quarters. Searching for them, he also finds massive prejudice against the Vietnamese people, particularly among the fishing community in which they are trying to work. Setting out to right the wrongs, the priest tends to use more fisticuffs than friendly, priestly persuasion.
Spa owner Aya accidentally bumps into a distraught Taryn, who turns out to be a sorority sister. When Aya learns that Taryn has been dumped by the very guy she just moved to LA to be with, Aya welcomes her into her home and life as any sister would. But Taryn is not really her sister. She is a former foster child who will do anything, even kill, to create the family bond she has desperately wanted her entire life.
When Babo and his brother-in-law Memo, who is also part of Cenk’s clique, go in search of the alleged culprit Serkan, no one is aware yet of the effects this little dizziness would bring. Serkan is threatened, kidnapped, beaten and no longer moves. Memo panics, feels guilty and laments the dreams he has had for a long time and that he did not want all that. He confesses that he has consumed all the cocaine alone with Cenk and his friends, exposing lies to his brother-in-law. At the end of the film, Babo realizes that he may have killed an innocent man.
Moses and Kitch, two young black men, chat their way through a long, aimless day on a Chicago street corner. Periodically ducking bullets and managing visits from a genial but ominous stranger and an overtly hostile police officer, Moses and Kitch rely on their poetic, funny, at times profane banter to get them through a day that is a hopeless retread of every other day, even as they continue to dream of their deliverance.
