While in San Francisco for the promotion of her last film in October 1967, Agnès Varda, tipped by her friend Tom Luddy, gets to know a relative she had never heard of before, Jean Varda, nicknamed “Yanco”. This hitherto unknown uncle lives on a boat in Sausalito, is a painter, has adopted a hippie lifestyle and loves life. The meeting is a very happy one.

If you thought TV shows in which audiences and juries judge musical acts were a relatively new phenomenon, you’d better think again. In the 1970s, such “festivals” were incredibly popular in Brazil. They were recorded before a live studio audience, and usually featured a number of elimination rounds. They also formed the springboard for the career of many a big-name star, such as Chico Buarque, Caetano Veloso, Roberto Carlos and Gilberto Gil. Appearing on such a program was no cakewalk, however: audiences could be as wild in their condemnation as in their appreciation of an artist. Extensive archive footage (including performances and behind-the-scenes interviews) from a turbulent final of the Festival of Brazilian Popular Music one evening in 1967 paints a fascinating picture, not only of the transformation of Brazilian music into real “festival” music, but also of a society starting to buck against the yoke of military rule.

When a barnstorming stunt pilot decides to join the air corps, his two goofball assistants decide to go with him. Since the two are Abbott & Costello, the air corps doesn’t know what it’s in for.

George Zimbel’s work has documented the 20th century with grace, spontaneity and a remarkable eye for telling a story in one 35 mm frame.

Korengal picks up where Restrepo left off; the same men, the same valley, the same commanders, but a very different look at the experience of war.

A journey into the life and work of beat poet and activist Bob Kaufman and his insistence that poetry is fundamental to humanity’s moral survival.

A documentary that collects the diverse voices of the lesbian community in Catalonia. A genealogy which comprehends four generations, and a very intimate journey through intertwining lives, allowing us to understand what is it like to exist within a world made of heterosexual structures whilst belonging to the LGBTIQ+ collective. Otherness is an emotional and contemporary material bringing to the screen other possible lives we might never have thought of.

Molly Ivins was six feet of flame-haired Texas trouble. She was a prescient political journalist, best-selling author, and Bill of Rights warrior. She took no prisoners, leaving both sides of the aisle laughing and craving more of her razor-sharp wit. It’s time to raise hell like Molly!

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Young dancers gather in a remote and empty school building to rehearse on a cold and wintry night. The all-night celebration soon turns into a hallucinatory nightmare when they learn that their sangria is laced with LSD.

As a result of the 2008 documentary”Generation Rx,” thousands of people wrote director Kevin P. Miller to share their experiences on psychiatric drugs. Miller combines their gripping tales with the latest mental health research, science, and medical health perspectives.

Street dancer, Thomas Uncles is from the wrong side of the tracks, but his bond with the beautiful Megan White might help the duo realize their dreams as they enter in the mother of all dance battles.