A young nurse starts a new assignment in a small isolated village in the farthest reaches of Turkey, a place that seems asleep in an endless winter. A thick layer of snow covers the souls as well as the lands. But under the snow, unspeakable secrets hibernate.
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An undercover cop from the streets of Los Angeles must overcome the opposition to land his dream of becoming a counterintelligence agent in the FBI.
As an epidemic of a lethal airborne virus – that kills within days – rapidly grows, the worldwide medical community races to find a cure and control the panic that spreads faster than the virus itself.
The Almeida Theatre makes its live screening debut with an explosive new adaptation of Richard III, directed by Almeida Artistic Director Rupert Goold with Ralph Fiennes as Shakespeare’s most notorious villain and Vanessa Redgrave as Queen Margaret. War-torn England is reeling after years of bitter conflict. King Edward is ailing, and as political unrest begins to stir once more, Edward’s brother Richard – vicious in war, despised in peacetime – awaits the opportunity to seize his brother’s crown. Through the malevolent Richard, Shakespeare examines the all-consuming nature of the desire for power amid a society riddled by conflict. Olivier-winning director Rupert Goold’s (Macbeth, King Charles III) searing new production hones a microscopic focus on the mythology surrounding a monarch whose machinations are inextricably woven into the fabric of British history.
Unable to find personal fulfillment: Ericson, a young-adult on the horizon of his thirties, dives head-first into an existential spiral of artistic indulgence as he attempts to co-opt his friends into making a movie with him.
A homeless man meets a medical school student who pays him to volunteer for a surgical procedure known as trepanation, drilling a hole in his skull, which ends up giving him the ability to communicate with the dark side of people’s subconscious minds.
The radical new take on Dickens’ classic seeks both to exhume the original story’s gritty commentary on social inequality and the corrupting influence of greed, and to breathe new life into the lyricism of the original text by setting its scenes to extraordinary tableaux of modern dance.
A film director gruelingly pushes a washed-up actress to her physical and mental breaking point to get the best performance of her career in this neo-noir short.
Set in 1970s Rome, the fiction tracks the plight of a nuclear family, consisting of an unhappy married couple: Clara (a deeply dissatisfied expatriate Spaniard) and Felice (an abusive businessman cheating on Clara with his secretary) and their children Adriana, Gino, and Diana. Their eldest child, 12-year-old Adriana, experiences gender dysphoria; he rejects girlhood and instead goes by the name of Andrea (a primarily masculine name in Italian). Andrea develops a crush for Sara, a Roma girl who knows him as a boy. Upon a shared sense of being outsiders, Andrea and Clara grow closer.
An overburdened working mother temporarily leaves her family and rents a spare room from a taxi driver she just met to sort out her chaotic life.
An astonishing fictional account of the unending series of murders of young women in Ciudad Juarez, Mexico, which began in 1996. Most of the victims are low-paid laborers who have been drawn to the town by the possibility of work at American-owned factories. In the film Mexican police officer Blanca Bravo is sent to Cuidad Juarez to investigate and comes to learn realities of these women’s lives, as well as the truth about a police force and local power structure embodied by entrepreneur Mickey Santos that has ceased to care.
After Brooke and her boyfriend Lance have a car accident, Lance’s leg injury requires him to be bedridden with at-home care. When an attractive nurse, Chloe, is recommended to them, she seems perfect for the task. However, when her troubled past comes to light, it becomes apparent to the happy couple that someone is out to destroy their lives.
