An imaginary return of dictator Ceausescu after 20 years of capitalism in his country, Romania, where he finds a new society but also old habits in the country’s businessmen.
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Griffin Dunne’s years-in-the-making documentary portrait of his aunt Joan Didion moves with the spirit of her uncannily lucid writing: the film simultaneously expands and zeroes in, covering a vast stretch of turbulent cultural history with elegance and candor.
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