Akira Kurosawa’s lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.
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In life, there’s silver, and there’s lead, says Rikki Ortega, as he moves to be king of the street in “Ánglio,” L.A.’s east side. Older brothers and a brother-in-law are in his way. While they think they are driving out the Rojas, a local gang that runs the meth trade for bosses in Cabo San Lucas, Rikki is running an elaborate double-cross on his own family. He’s not happy just to run this fratricidal con, he also wants to cash in as much as he can of one hundred kilos of crystal meth that he stole from the Rojas (and the Mexicans), seduce the girlfriend of one of his victims, and stay ahead of a cop who was a childhood friend. Will he end up with the silver?
The aftermath of the Oxygen Destroyer brings forth Destoroyah, a beast intent on killing Godzilla, who is on the verge of a nuclear meltdown.
Dangerously ill with a rare blood disorder, and determined to save others suffering his same fate, Dr. Michael Morbius attempts a desperate gamble. What at first appears to be a radical success soon reveals itself to be a remedy potentially worse than the disease.
A powerful drama relating the intimate aspect of teenage boys and their priest/educators behind the walls of a religious institution where rigid discipline backfires natural feelings are deemed unnatural acts and human lives are controlled in the names of good intentions.
Following the death of his father, Lyle Bennett sets out on an extreme weight loss journey in the hopes of reaching health and happiness. His goal will push him past his physical limits and test the strength of his mental and emotional stability.
Sean Kane is forced to resign from the San Francisco Police Department’s Narcotics Division when he goes berserk after his partner is murdered. He decides to fight alone and follows a trail of drug traffickers into unexpected high places.
The son of Emperor Franz Josef of Austria, Crown Prince Rudolf, is believed to have shot his female lover and himself in a tragic suicide pact in 1882 in Mayerling. Due to Imperial cover-ups, the full story may never be known. This story has been filmed several times, in French in 1935 and in English in 1968. Hungarian director Miklos Jancso recreates those events for his own purposes, continuing his favored theme of the rejection of paternal authority. In the film, which has very little dialog, Rudolf is a good-natured pan-sexual golden boy, who cavorts on his rural estate with a host of beautiful, aristocratic lovers and friends of both sexes. He refuses to leave his country idyll even though he has been ordered to by the Emperor, his father. Despite the fact that for a large part of the film, attractive young people go about unclothed and engaging in erotic encounters, the mood is one of melancholy rather than prurience.
Sisters Kristina (Deborah Joy Winans) and Vicky (Lisa Michelle Cornelius) receive an early Christmas gift—a luxurious vacation at an exclusive resort—from their Aunt Debbie (Marium Carvell), who hopes to bring them together after they’ve grown apart since their mother’s death. The sisters are less than thrilled by the idea of spending time together: Vicky loves Christmas, whereas Kristina no longer enjoys the holiday without their mom. With strong convincing from Aunt Debbie, the sisters reluctantly accept her gift. Once they arrive at the resort, Kristina and Vicky run into Reginé (Kyana Teresa), a famous singer and one-time best friend who left them behind when fame came calling.
A troubled young boy finds his rooftop escape jeopardised by the girl he pines for.
When a chance encounter brings together the cynical Dell and the quick-witted Kimberly, the stage is set for a tempestuous love affair that unfolds like a puzzle. As the film zigzags back and forth in time-from a meteor shower in LA, to an encounter in a Paris hotel room, to a fateful phone call-an unforgettable portrait of a relationship emerges.
