Blurring the boundaries between humanity and technology in the teenage off-roading world of central California.

When soldier Robin happens upon the dying Robert of Loxley, he promises to return the man’s sword to his family in Nottingham. There, he assumes Robert’s identity; romances his widow, Marion; and draws the ire of the town’s sheriff and King John’s henchman, Godfrey.

Estranged from his family, Jonathan (Hedlund) discovers his father has decided to take himself off life support in forty-eight hours’ time. During this intensely condensed period, a lifetime of drama plays out. Robert (Jenkins) fights a zero sum game to reclaim all that his illness stole from his family. A debate rages on patients’ rights and what it truly means to be free. Jonathan reconciles with his father, reconnects with his mother (Archer), sister (Brown-Findlay), and his love (Adams) and reclaims his voice through two unlikely catalysts – a young, wise-beyond-her-years patient (Barden) and a no-nonsense nurse (Hudson). Through this intensely life affirming prism, an unexpected and powerful journey of love, laughter, and forgiveness unfolds.

A gang of criminals and corrupt cops plan the murder of a police officer in order to pull off their biggest heist yet across town.

A young couple embark upon their honeymoon against the chilling landscapes of the Pacific Northwest. But when tragedy strikes, gruesome secrets from their past collide with sinister forces of the present…

After witnessing a murder in the gritty streets of 1950s Manhattan, newlyweds Suze and Arthur become the dangerous obsession of a greaser gang that awakens a sleeping quandary into the couple’s sexual identity.

Writer-director Randall Miller’s heart-achingly sweet drama centers on the unsatisfying personal life of protagonist Frank Keane (Robert Carlyle), a sensitive baker who remains deeply despondent over his late wife’s untimely death. When Frank helps a stranger (John Goodman) who’s sidelined by a fatal accident on his way to a fateful reunion, he decides to show up for the rendezvous in the man’s place. In the process, he finds hope and redemption.

The US Army has decided to modernize its cavalry, so Colonel James E. Devers is ordered by a general to convert a horse unit to motorcycles, but his men are easily outclassed as riders by a pack of rowdies, especially Grady Westfall; when he is arrested risking a long jail term, he’s given one way out: enlisting as Corporal, assigned as driving instructor. Unit commander Captain Jack Hassler reviles his unorthodox boyish methods as undermining discipline and tradition, not to mention flirting with the Colonels daughter Beryl Ann, but he’s needed, especially when his unit is deployed on a secret mission in Spain.

A group of messenger spirits led by Aniceto, including doctor André Luiz, are tasked with going to Earth to help rescue three proteges whose interconnected stories are about to fail.

Middle-aged widow Beatrice Hunsdorfer (Joanne Woodward) and her daughters Ruth (Roberta Wallach) and Matilda (Nell Potts) are struggling to survive in a society they barely understand. Beatrice dreams of opening an elegant tea room but does not have the wherewithal to achieve her lofty goal. Epileptic Ruth is a rebellious adolescent, while shy but highly intelligent and idealistic Matilda seeks solace in her pets and school projects, including one designed to show how small amounts of radium affect marigolds.

Centered on the character of Goemon, this film is a sequel to the spin-off TV series, The Woman Called Fujiko Mine and its sequel film, Daisuke Jigen’s Gravestone.

Set during the relatively peaceful times of the The Next Generation era, focusing on two Starfleet officers as they attempt to transport a Klingon prisoner to a more secure location, only to be ambushed by a Klingon Bird-of-Prey that has been lying in wait. Unwilling to give up their prisoner, the officers soon find themselves staring down the barrel of Klingon disruptor cannons as they battle for their very lives in an attempt to escape…