After a three-year hiatus from a full performance, and with concert venues shut down due to the pandemic, Bieber delivers an electrifying show to close out 2020 on the rooftop of the Beverly Hilton Hotel for 240 invited guests—and millions of fans across the globe watching via livestream. The film follows Bieber and his close-knit team in the month leading up to the show, as they rehearse and construct a monumental stage while adhering to strict health and safety protocols. The film also captures personal, self-shot moments between Bieber and his wife Hailey.
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An interview with film director Roman Polanski conducted during his period of house arrest, discussing his life and work.
Nestled deep in the Australian Outback is the town of Larrimah and its 11 eccentric residents. When one of them mysteriously disappears into thin air, the remaining residents become suspects and a long history of infighting is unveiled.
“Plastic Paradise” is an independent documentary film that chronicles Angela Sun’s personal journey of discovery to one of the most remote places on Earth, Midway Atoll, to uncover the truth behind the mystery of the Great Pacific Garbage Patch. Along the way she encounters scientists, celebrities, legislators and activists who shed light on what our society’s vast consumption of disposable plastic is doing to our oceans — and what it may be doing to our health.
The Show Must Go On is a personal journey behind the scenes that confronts the epidemic of mental health issues in the Australian entertainment industry.
Filmed in various places over the globe, Ghost Strata explores the differing scales of impact that humanity’s presence has on the earth in the past, present and into the future. Found sound and text create a meditation on time, memory, leftovers and extinction.
A look at the making of the film Troll 2 (1990) and its journey from being crowned the “worst film of all time” to a cherished cult classic.
Pensioners, lawyers, married couples and teenagers are all customers at the Angel Love Hotel in Osaka Japan. With unprecedented access into one of the most private and anonymous spaces in Japanese society, this film follows the love hotel’s struggling manager and staff as the try to keep their hotel running, as well as revealing the intimate and private lives of the customers who visit.
This hybrid documentary follows Isabella Grosso, a survivor of childhood sexual abuse. In her quest to heal, Isabella discovered a sense of empowerment through dance and founded She-Is, a nonprofit combining the art of dance with therapy. As she embraces the experience of self-love through movement, we follow Isabella on an international journey to help other survivors of sexual abuse and sex trafficking find healing.
Its focus will be on the inventor-explorer-environmentalist-filmmaker revolution, i.e., giving mankind the resources to explore the ocean with the Aqua Lung, calling attention to ocean pollution, and his longtime collaboration.
I AIN’T SCARED OF YOU is a documentary tribute to Bernie Mac (1957-2008). From his stand-up in underground Chicago comedy clubs to the Big Screen in Hollywood, Bernie Mac’s sharp tongue and heart of gold resonated with millions of fans throughout his career.This film revisits much of his work through exclusive recordings of early stand-up, featured scenes from his film and TV appearances, and interviews with his co-stars, including Samuel L. Jackson, Cameron Diaz, Chris Rock, and many more. Testimonials from friends and family offer colorful anecdotes about Bernie Mac, from his practical jokes to his strong appreciation for manicures, and paint a vivid picture of who he was as an actor-comedian, husband, father, and friend.
Since 1912, baseball has been a game obsessed with statistics and speed. Thrown at upwards of 100 miles per hour, a fastball moves too quickly for human cognition and accelerates into the realm of intuition. Fastball is a look at how the game at its highest levels of achievement transcends logic and even skill, becoming the primal struggle for man to control the uncontrollable.
Menahem Golan and Yoram Globus were two movie-obsessed cousins from Israel who became Hollywood’s ultimate gate-crashers. Following their own skewed version of the Great American Dream, they bought an already low-rent brand – Cannon Films – and ratcheted up its production to become so synonymous with schlock that the very sight of its iconic logo made audiences boo throughout the 1980s. And yet who could have foreseen how close they came to nearly taking over Hollywood and the UK film industry?