Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers’ collaboration – elaborately staged numbers from their plays, characters’ visits to night clubs, and impromptu performances at parties. We also see Larry’s scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard’s successful wooing of Dorothy Feiner.

The plot centers on an atheist actress’ conversion to Judaism.

Garvey is a San Francisco pawnshop operator. His unemployed and criminal friends Dillard, Turtle, and Weslake, team up with Boardwalk, a local pimp, to burgle Garvey’s shop while the owner is out of town. During the elaborate planning process, Dillard falls for a Hispanic woman, the sister of a friend. Also, Boardwalk is assigned to case a local apartment, where he meets and falls for the maid. Amidst all these romantic hijinks, Weslake puts together a burglary plan, which is executed by the makeshift gang.

Danny is a blind man who does not let his impairment get in the way of living his life to the fullest, except when it comes to love. Danny’s brother sets him up on a series of blind dates, but all of them go disastrously wrong. Just when Danny is about to give up, he meets Leeza, a nurse who works for Danny’s doctor. There is just one catch: Leeza, who is from India, is promised to another man.

Things are hectic in heaven. Dozens of scribes sit before a long scroll incessantly scribbling away. They are composing the biographies of earth-dwellers. What is invented by the men in heaven is lived out below. And their employer, God, is increasingly vehement in demanding avant-garde ideas. Take, for example, the beautiful Yuri, a girl who dies in a car crash. Some of the heavenly scribes find this very dull and send former gangster Chas, who has become a heavenly tea-boy, back down to earth with instructions to save Yuri no matter what. And so Chas ends up in Okinawa, gets to know the earth-dwellers, interferes in their fates, becomes celebrated as ‘Mr Angel’ and is hounded by brutal enemies. His falling in love with Yuri is of course a foregone conclusion. But no one could anticipate what happens next. Not even God himself

Arguello couples her larger-than-life stage presence with her brutally honest take on post-pandemic hook ups and why broke men are better in bed, an exploration of how “Beauty and the Beast” triggered an epiphany, and a self-reflection on her middle school D.A.R.E. essay.

When Cindy decides that she doesn’t want to marry her boyfriend, she runs to Mexico City, where new friendships and unexpected paths teach her that there are so much more possibilities on her life and her talent than she imagines.

A charming romance develops between a boy with one eye and an overweight girl, though when she loses weight after going to college, their relationship is tested in devastating ways they never dreamed would happen.

Settling into their new home—the rambling Victorian mansion at 1313 Mockingbird Lane— the Munster are quickly onto the mission at hand: to gently ease sweet little Eddie into the reality of his werewolf adolescence. The loving, supportive, run-of-the-mill family includes his mom Lily, the daughter of Dracula, his dad Herman, who brings new meaning to “Frankenstein,” and Grandpa! Of course, there’s creepy cousin Marilyn, who’s really the odd one because she’s so completely normal.

Ballad of the Masterthief Ole Hoiland (Norwegian: Balladen om mestertyven Ole Høiland) is a 1970 Norwegian drama film directed by Knut Andersen, and starring a broad cast of notable Norwegian actors, headed by Per Jansen as Ole Høiland. Ole Høiland was an actual Norwegian Robin Hood-figure in the early 19th century. He steals from the rich and gives to the poor, enjoying numerous affairs with attractive women along the way. The story culminates in the ambitious burglary of Norges Bank, Norway’s central bank.

Hanna is a 30 something single woman from Helsinki. She has a good job and great friends and has almost given up on finding the Mr. Right. One night, Hanna meets Markus, a dark stranger who sweeps her off her feet.

An aspiring actor in Hollywood meets an enigmatic stranger by the name of Tommy Wiseau, the meeting leads the actor down a path nobody could have predicted; creating the worst movie ever made.