Jack McKee is a doctor with it all: he’s successful, he’s rich, and he has no problems…. until he is diagnosed with throat cancer. Now that he has seen medicine, hospitals, and doctors from a patient’s perspective, he realises that there is more to being a doctor than surgery and prescriptions.

Ignacio is shooting a documentary on the people who disappeared in 1982 during the armed conflict in an indigenous Guatemalan village. Amongst the families are Delfina and her son Juan. Delfina still hopes to find her husband, but Juan knows who was responsible for the disappearance of his father: someone who still lives in the same village.

A stroke of good luck turns lethal for Sam Phelan and his wife Leslie when they are faced with a life-changing decision that brings strange and sinister Pyke Kubic to their doorstep. As Pyke leads Sam and Leslie on a tumultuous adventure through the streets of Chicago, each are pulled deeper and deeper into a desperate spiral of deception and violence – all in the name of money.

A wounded criminal and his dying partner take refuge at a beachfront castle. The owners of the castle, a meek Englishman and his willful French wife, are initially the unwilling hosts to the criminals. Quickly, however, the relationships between the criminal, the wife, and the Englishman begin to shift in humorous and bizarre fashion.

Sicko is a Michael Moore documentary about the corrupt health care system in The United States who’s main goal is to make profit even if it means losing peoples lives. “The more people you deny health insurance the more money we make” is the business model for health care providers in America.

A soldier-turned-high school teacher uses unusual methods to reach to a class of poor students, while dealing with a greedy entrepreneur and his gang of fighters as well as the government.

Breakups. Therapy. Bangs. Taylor’s gone through some stuff since her quarter-life crisis, and she spins her mental health journey into insightful comedy.

A playwright encounters a mysterious woman when he takes shelter in a chalet during a violent snowstorm.

In this crime drama, a man learns that he has six months left to live, and before he dies he decides to get revenge against the man responsible for his incarceration. First he hires a man to kill him and frame the traitor. Later the fellow learns that he is not sick after all. Fortunately his hit man died. Later the man he wants to avenge has a final showdown with him. A struggle ensues and the fellow kills his enemy in self-defense.

A woman who survived the brutal killing of her family as a child is forced to confront the events of that day.

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the three “character” scenes. In the first scene two people enter a room, chat briefly, and listen to “Strawberry Fields Forever” on the radio. Later, a man (played by filmmaker Hollis Frampton) enters inexplicably and dies on the floor. And last, the female owner of the apartment is heard and seen on the phone, speaking, with strange calm, about the dead man in her apartment whom she has never seen before.

In a dystopian future, two loser bag-men get in over their heads smuggling illegal stem cells for black market researchers.