John Wayne was a legendary actor and an embodiment of America itself. While he played men who always do the right thing on camera his real life is far more complicated.
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Celebrated conceptual artist Ryan Gander investigates the selfie – the icon of a new kind of self-regard that hardly existed just ten years ago. He discovers the roots of the selfie go back hundreds of years before smartphones. In the age of social media, when we are told to be our best selves and live our best lives, he investigates what that really means and what technology is doing to our sense of self.
A 2008 documentary and debut feature film of Bafta-Award nominated director Jamie Jay Johnson. It follows the lives of the participants of the Junior Eurovision Song Contest 2007, specifically the entrants from Belgium, Bulgaria, Cyprus and Georgia. The film sees them proceed from the national finals that saw them crowned the representatives of their country through to the international song festival itself held in Rotterdam, the Netherlands where they each compete against 16 other acts.
How can emotion come to light on the opera set? Does it come from singing, acting or music? How can someone become the incarnation of Verdi’s masterpiece? Following world famous French soprano Natalie Dessay from the first repetitions until the premiere under the direction of Jean-François Sivadier, we meet a very special woman, a piece of art, a myth: LA TRAVIATA.
Aftermath: Population Zero investigates what would happen if every single person on Earth simply disappeared. Explore the interactive world without us.
Healthcare systems are overwhelmed, economies are disrupted and governments impose lockdowns to contain the spread of the virus. Where did this novel coronavirus come from? In what way was it manifesting itself in humans? How was it being spread? We uncover the vital questions scientists ask as they grapple to understand this new virus, and its potential threat. We also speak to the scientists and experts leading the fight against this latest pandemic to develop vaccines and treatments in a bid to halt the coronavirus’ relentless spread.
Three girls living in Los Angeles, CA in the 1980s found cult fame when they “accidentally” transitioned from models to B-movie actresses, coinciding with the major direct-to-video horror film boom of the era. Known as “The Terrifying Trio,” Linnea Quigley (The Return of the Living Dead), Brinke Stevens (The Slumber Party Massacre) and Michelle Bauer (The Tomb), headlined upwards of ten films per year, fending off men in rubber monster suits, pubescent teenage boys, and deadly showers. They joined together in campy cult films like Sorority Babes in the Slimeball Bowl-a-Rama (1988) and Nightmare Sisters (1987). They traveled all over the world, met President Reagan, and built mini-empires of trading cards, comic books, and model kits. Then it all came crashing down. This documentary remembers these actresses – and their most common collaborators – on how smart they were to play stupid
Somewhere in the world right now–much closer than you think–people are playing with trains. You might not see them at first, but they’re there. In basements. In garages. In converted Army barracks. They’re among the world’s most compelling underground communities.
A documentary which explores the connections among sound, rhythm, time, and the body by following percussionist Evelyn Glennie, who is nearly deaf.
Spinning Plates is a documentary about three extraordinary restaurants and the incredible people who make them what they are. A cutting-edge restaurant named the seventh-best in the world whose chef must battle a life-threatening obstacle to pursue his passion. A 150-year-old family restaurant still standing only because of the unbreakable bond with its community. A fledgling Mexican restaurant whose owners are risking everything just to survive and provide for their young daughter. Their unforgettable stories of family, legacy, passion and survival come together to reveal how meaningful food can be, and the power it has to connect us to one another.
Bo Burnham is back with a new one-man show full of his patented songs and wordplay, as well as haikus, dramatic readings, blasphemy, and so much more in his first hour-long special, shot live in his home town of Boston.
Pulp found fame on the world stage in the 1990s with anthems including ‘Common People’ and ‘Disco 2000’. 25 years (and 10 million album sales) later, they return to Sheffield for their last UK concert. Giving a career-best performance exclusive to the film, the band members share their thoughts on fame, love, mortality — & car maintenance. Director Florian Habicht (Love Story) weaves together the band’s personal offerings with dream-like specially-staged tableaux featuring ordinary people recruited on the streets of Sheffield. Pulp is a music film like no other — by turns funny, moving, life-affirming & (occasionally) bewildering.
