An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.

Blues and folk singer Karen Dalton was a prominent figure in 1960s New York. Idolized by Bob Dylan and Nick Cave, Karen discarded the traditional trappings of success and led an unconventional life until her early death. Since most images of Karen have been lost or destroyed, the film uses Karen’s dulcet melodies and interviews with loved ones to build a rich portrait of this singular woman and her hauntingly beautiful voice.

Musical film about the trials and tribulations of an idealistic drama teacher as she tries to put on the end of year show.

A former world-famous conductor of the Bolshoï orchestra, known as “The Maëstro”, Andreï Filipov had seen his career publicly broken by Leonid Brezhnev for hiring Jewish musicians and now works cleaning the concert hall where he once directed. One day, he intercepts an official invitation from the prestigious Théâtre du Châtelet. Through a series of mad antics, he reunites his old orchestra, now composed of old alcoholic musicians, and flies to perform in Paris and complete the Tchaikovsky concerto interrupted 30 years earlier. For the concerto, he engages a young violin soloist with whom he has an unexpected connection.

The Library of Congress Gershwin Prize for Popular Song will honor either a songwriter, interpreter, or singer/songwriter whose career reflects lifetime achievement in promoting the genre of song as a vehicle of artistic expression and cultural understanding. Paul Simon, one of America’s most respected songwriters and musicians, was the recipient of the first annual Library of Congress Gershwin Prize for Popular Song. Named in honor of the legendary George and Ira Gershwin, the award recognizes the profound and positive effect of popular music on the world’s culture.

Two small time crooks, Mike and Troy, are on a mission – the ‘score’ – that they both expect will transform their circumstances. At a roadside café, as they wait for the handover, Troy falls in love with the waitress, Gloria, and begins to question his life choices.

For his next project, successful music producer Frank Farian hires dancers Rob Pilatus and Fab Morvan and helps the two friends to a skyrocketing success, under the name Milli Vanilli. Only a small circle of insiders know their secret: the duo don’t sing themselves, they just move their lips – to the voices of the real singers. At the height of their fame, Milli Vanilli threatens to become the biggest scandal in music history. Not only the truth is at stake, but also their friendship…

The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.

When “Take On Me” reached nr 1 on Billboard in the US in 1985, the dream came true. Or did it? The band was not prepared for what the success could bring, including tension between the three band members.

With a narrative running deeper than a catchy tune and cryptic verses, “American Pie” is a musical phenomenon woven deep into the history of American culture, entertaining audiences around the world for over 50 years. This documentary tells the stories of the people who were a part of this moment from the beginning, shows the point of view of a new generation of artists who are motivated by the same values and ideas that inspired the song’s creation, and highlights cultural moments in America’s history that are as relevant now as they were in 1971, when the song was released.

Set one year after the drama series “Moteki.” 31-year-old Yukiyo Fujimoto (Mirai Moriyama) doesn’t have money, dreams or a girlfriend. He has left his job at a staffing firm and is attempting to start a new life by working as a writer for a news site. Suddenly, Yukiyo experiences “moteki” – a period when a man becomes suddenly popular with woman. Cute magazine editor Miyuki (Masami Nagasawa), pure and naive office worker Rumiko (Kumiko Aso), beautiful shop assistant Ai (Riisa Naka) and beautiful, but tough co-worker named Motoko (Yoko Maki) all become interested in Yukiyo. He tries to calm down, but is shaken by the interests of these women.

BEAUTIFUL NOISE is an in-depth exploration of a music movement in the late twentieth century, a fascinating period when some innovative musicians mixed guitar noise into conventional pop song structures while maintaining a philosophy of letting the music speak for itself. Although many of the people interviewed are notoriously press shy they have opened up about their music and experiences from over 20 years ago, how they defied the rules and became sonic innovators that have inspired so many.