Europe on the verge of social and economic change. A close up into the shaken vision of four couples, daily struggles, fights, kids, sex and passion. A movie about the politics of love. Le cinéma politique fait l’amour.

The aim: to select the ideal mode of transport for each leg of a pilgrimage from Venice, Italy to Pau in France – home to a legendary street circuit and the origins of Grand Prix racing. On the way we prepare by taking to the track at Monza – the home of Italian Formula One. We try to get noticed on the road course in Monaco in a Bugatti, a Lamborghini and a Model T Ford. After cruising the canals in Venice we take to the tarmac and things look good – thanks to the Ferrari F12 Berlinetta and Mercedes SLS Black. Throw in a Pagani Huayra, Porsche Cayman S and a GT3 as well as the Aston Martin Vanquish centenary edition, Bentley V8 convertible, Rolls Royce Phantom coupe and the face-bending BAC Mono all seems pretty perfect to us.

The Athos peninsula in Greece is one of Europe’s last secrets. Over 2000 monks live on Athos – cut off from the outside world. Access is denied to women, tourists are not welcome. Only workers and pilgrims can obtain a visa. The “Autonomous Monastic State of the Holy Mountain” attracts people who feel like they are missing something from their modern lives. With the help of three Athos monks, “Athos – A Taste of Heaven” tells the story of the island and its inhabitants in a unique filmed diary style. The film’s guiding theme is the path we as people have to find and follow – each and everyone for themselves. “First we must heal our own souls, only then we can help others”, is one of Father Galaktions core messages. He lives as a hermit on the holy mountain. Not all monks, however, live as secluded and demure as Father Galaktion. The film team is also received by Father Epiphanios – a gifted and poetic cook who certainly does not disdain the pleasures of life.

Over the past 25 years, Lauren Greenfield’s documentary photography and film projects have explored youth culture, gender, body image, and affluence. In this fascinating meld of career retrospective and film essay, Greenfield offers a meditation on her extensive body of work, structuring it through the lens of materialism and its increasing sway on culture and society in America and throughout the world. Underscoring the ever-increasing gap between the haves and the have-nots, her portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.

From South London spivs to the upper reaches of the 1960s society, this extraordinary true story reveals who stole the World Cup trophy in the lead-up to England’s triumph in 1966.

The truth behind the origin of the AIDS pandemic.

Sinead Oandapos;Connor is one of the most well-known singers of the 80s, loved for her authenticity and extraordinary connection with her audience. After her sudden passing, her voice will forever linger in the hearts of those who listen…

It’s the most mythic of all American emporiums – and the scene of many an ultimate fashion fantasy. Now audiences get a rarified chance to peek behind the backroom doors and into the reality of the fascinating inner workings and fabulous untold stories from Bergdorf Goodman’s iconic history in Scatter My Ashes at Bergdorf’s.

This searing British thriller follows Flash (Dylan Duffus), who’s safeguarding his buddy Angel’s (Yohance Watson) cash until his release from prison. Now Angel is out — and Flash is 100 pounds short. He turns to a lowlife named Evil (Tobias Duncan) for help, the first in a series of mistakes. Now, Flash has more than just Angel hunting him down. Directed by Penny Woolcock (Mischief Night), the film co-stars Ohran Whyte and Chris Wilson

The American Diplomat explores the lives and legacies of three African American ambassadors — Edward Dudley, Terence Todman and Carl Rowan — who pushed past historical and institutional racial barriers to reach high-ranking appointments in the Truman, Eisenhower and Kennedy administrations. At the height of the civil rights movement in the United States, the three men were asked to represent the best of American ideals abroad while facing discrimination at home. Oft reputed as “pale, male and Yale,” the U.S. State Department fiercely maintained and cultivated the Foreign Service’s elitist character and was one of the last federal agencies to desegregate. Through rare archival footage, in-depth oral histories and interviews with family members, colleagues and diplomats, the film paints a portrait of three men who left a lasting impact on the content and character of the Foreign Service and changed American diplomacy forever.

Cookbook author and environmental activist Diana Kennedy reflects on an unconventional life spent mastering Mexican cuisine.

In a night of killer comedy, Bill Burr hosts a showcase of his most raucous stand-up comic pals as they riff on everything from COVID to Michael Jackson.