After surviving the terrifying outback abduction of her boyfriend, Joanne Lees became the victim of a relentless trial by media across two continents. With no body to speak of, reported ‘sightings’ of Peter, and revelations Joanne had cheated on her boyfriend, the public and media in both Britain and Australia refused to accept Joanne’s innocence on face value. This is the story of one young woman’s courage in the face of one of the most mysterious crimes in Australian history.
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When Sue’s cousin Genelva visits her from Suriname, they go out to a fancy club with Sue’s two best friends. After having an unpleasant encounter with the club’s bouncer at the door, the course of their night changes completely.
The massive scandal comes to light through a father’s unwavering search for the truth behind the sudden death of his family.
When an itinerant reluctantly returns home to help his sickly mother run her shop, they’re both tempted to turn to crime to help make ends meet.
What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex …
After a terrible car crash in which his son dies, a brilliant surgeon becomes prey to unbearable physical pain, and it can only be eased by the taste of human blood. When he encounters a man who claims he can help him get his life back, he embarks upon a nightmarish journey through which he will either have to come to terms with his pain… or become a monster.
A drama set at a Swiss ski resort and centered on a boy who supports his sister by stealing from wealthy guests.
A successful businessman attempting to resurrect his life buys and boards a dilapidated sailboat.
Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)
Living with her tyrannical stepfather in a new home with her pregnant mother, 10-year-old Ofelia feels alone until she explores a decaying labyrinth guarded by a mysterious faun who claims to know her destiny. If she wishes to return to her real father, Ofelia must complete three terrifying tasks.
Pepa resolves to kill herself with a batch of sleeping-pill-laced gazpacho after her lover leaves her. Fortunately, she is interrupted by a deliciously chaotic series of events.
An early-20th-century tale of love across class boundaries which tells the legendary and romantic story of Lady Chatterley’s affair with her gamekeeper. Jed Mercurio’s adaptation of DH Lawrence’s classic.
