Seattle, WA EMP brings viewers inside the ground-breaking story of one man, his music and the world that embraced him with the two-hour documentary special “Jimi Hendrix Voodoo Child,”
You May Also Like
There is an elite group that controls the world. They run governments, companies and religions – This is the story of the world’s most powerful secret and sacred order.
An oblique documentary about the LSD group experiments of Timothy Leary, with off screen commentary of a participant and shots of Leary’s house and the surroundings.
For the first time, complainants against La Luz del Mundo megachurch leaders expose the abuses they suffered through exclusive interviews.
In 1962, spurred by the Cold War, President John F. Kennedy famously made the bold proclamation that NASA would send astronauts to the moon by the end of the decade, not because it was easy, but because it was a challenge. The Space Race inspired a generation to pursue careers in science and technology, but as the balance of world power shifted, interest in space exploration declined. “Fight for Space” serves as an urgent call to re-awaken our sense of wonder and discovery.
One of the most enigmatic artists of the 20th century, writer, composer and wanderer Paul Bowles (1910-1999) is profiled by a filmmaker who has been obsessed with his genius since age nineteen. Set against the dramatic landscape of North Africa, the mystery of Bowles (famed author of The Sheltering Sky) begins to unravel in Jennifer Baichwal’s poetic and moving Let It Come Down: The Life of Paul Bowles. Rare, candid interviews with the reclusive Bowles–at home in Tangier, as well as in New York during an extraordinary final reunion with Allen Ginsberg and William Burroughs–are intercut with conflicting views of his supporters and detractors. At the time in his mid-eighties, Bowles speaks with unprecedented candor about his work, his controversial private life and his relationships with Gertrude Stein, Tennessee Williams, Truman Capote, the Beats, and his wife and fellow author Jane Bowles.
The legend of comedy returns in 2014 with his biggest and funniest show yet. Monsters is the frightening funny new Live DVD from one of the biggest names in British comedy filmed during his ambitious 2014 tour. Lee’s manic energy, uncanny observations, hilarious delivery and side-splitting material have made his live performances a must-see for comedy fans worldwide and Monsters sees Lee back doing what he does best live on stage, proving once again why he is a record-breaking comic and one of the nation’s best! “The must see comedy event of the autumn” ***** – Daily Telegraph “Stand-up doesn’t get much bigger” – Evening Standard
Julian Assange. Bradley Manning. Collateral murder. Cablegate. WikiLeaks. These people and terms have exploded into public consciousness by fundamentally changing the way democratic societies deal with privacy, secrecy, and the right to information, perhaps for generations to come. We Steal Secrets: The Story of WikiLeaks is an extensive examination of all things related to WikiLeaks and the larger global debate over access to information.
1985 – two years after the end of the military dictatorship in Argentina, leading members of the junta are tried in court. Ulises de la Orden creates 18 succinctly edited chapters from 530 hours of footage, bearing witness to state terror.
Contemplations is an exploration of the depths and meanings of the psychedelic states, a collection of journeys, wisdom and insights from Australian entheogenic exploers.
Don McGlynn’s uncompromising and soulful documentary look at the tumultuous life of musician and rebel Charles Mingus is fascinating stuff. Mingus said of himself “I am half black man, half yellow man, but I claim to be a Negro. I am Charles Mingus, the famed jazz musician–but not famed enough to make a living in America.” His statement summed up the conflict that plagued this musical genius his entire life: volatility, pain, prescience, and raw rage roiled inside a complex man, composer, bass player, and trombonist who transcended labels and refused to be pigeonholed into a single musical style–and who did not achieve real fame until late in his career.