A criminal, who was recently released from prison, tries to leave the life he led behind, but certain people from his past have other ideas.
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Set during the summer of 1957. Ex-racecar driver, Enzo Ferrari, is in crisis. Bankruptcy stalks the company he and his wife, Laura, built from nothing ten years earlier. Their tempestuous marriage struggles with the mourning for one son and the acknowledgement of another.
A touching comedy about an unlikely friendship that grows between three twenty-something professionals searching for meaning in life and work in the digital age.
Prosecutor Kohei Kuryu takes charge of a case with a foreign embassy possessing the key to solve the case. Due to the extraterritoriality involving the case, the investigation has not gone anywhere. A crisis then ensues. Kohei Kuryu and his office attempt to extract the truth behind the wall of the Neustrian Embassy.
A WWII film set on a Pacific island. Japanese and allied forces occupy different parts of the island. When a group of British soldiers are sent on a mission behind enemy lines, things don’t go exactly to plan. This film differs in that some of the ‘heroes’ are very reluctant, but they come good when they are pursued by the Japanese who are determined to prevent them returning to base.
A guy gets more than he bargained for after entering into an affair with the wife of an investment banker. Soon, a suspicious death and substantial life insurance policy embroil him in a scandal.
In a world where superpowered people are heavily policed by robots, an ex-con teams up with a drug lord he despises to protect a teen from a corrupt cop.
When salary man Jun gets home, he finds his wife bleeding from her mouth and lying on the floor. He is shocked by the scene, but it turns out the blood is just ketchup and she is pretending to be dead. Without telling him why, she pretends to be dead everyday. Jun is dumbfounded by his wife’s behavior, but he begins to feel uneasy with her.
The fictional Father Ángel de la Cruz is based on Legion of Christ
founder Marcial Maciel, whose long history of child abuse was not
addressed until 2006 and only publicly acknowledged in 2009.
But director Luis Urquiza chooses to structure his film through the
largely uncomprehending, wondering eyes of 13-year-old Julián, who
travels from the arms of his loving pastoral family into the austere,
hallowed halls of the seminary. Singling out the boy as his intimate
disciple, installing him in his palatial private quarters and redubbing
him “Sacramento Santos,” Father Ángel begins Julian’s instruction
into the mysteries of “perfect obedience,” whose cardinal rule is:
Never question a superior’s actions.
Xia Mu is a troubled child whose salvation comes in the form of Shu Yawang. When something terrible happens to her, he seeks revenge. Nothing is the same in their lives after that.
A young priest named mark is sent as a vicar to a native American village in B.C. Canada, there he learns of faith and humanity, as he watches their culture being torn to shreds.
