Professor Genessier is guilt-stricken after his daughter’s face is disfigured in a car accident. He intends to rebuild his daughter’s face via grafting skin tissue; he only needs a supply of donors to experiment on.

In this very black comedy about ill-suited neighbors united by marriage, Niki is a former colonel in the Romanian army whose daughter is married to the son of Flo, an aging Bohemian who is full of schemes for the “new” Romania. As the young couple prepares to emigrate to the U.S., Niki is obliged to interact with Flo, whom he finds totally unbearable.

Professor Lawrence Wetherhold (Dennis Quaid) might be imperiously brilliant, monumentally self-possessed and an intellectual giant — but when it comes to solving the conundrums of love and family, he’s as downright flummoxed as the next guy.

Celestine is a little mouse trying to avoid a dental career; Ernest is a big bear craving an artistic outlet. When Celestine meets Ernest, they overcome their natural enmity by forging a life of crime together.

In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the “concerned friend” gag as a way to hide out from the police.

When he leaves hospital, 30-something Basil moves in with his younger sister and closest confidant, Sarah. Living with a psychiatric disorder, Basil tries his best to re-establish a sense of normality in both his work and his love life. But, whilst hiding his illness from his new relatives, how long can he maintain this fragile stability?

A hilarious underworld gangster known as Munna Bhai falls comically in love with a radio host by the name of Jahnvi, who runs an elders’ home, which is taken over by an unscrupulous builder, who gets the residents kicked out ironically with the help of Munna’s sidekick, Circuit, while Munna is busy romancing Jahnvi elsewhere.

A movie producer who made a huge flop tries to salvage his career by revamping his film as an erotic production, where its family-friendly star takes her top off.

For over 130 years till 1996, more than 100,000 of Canada’s First Nations children were legally required to attend government-funded schools run by various Christian faiths. There were 80 of these ‘residential schools’ across the country. Most children were sent to faraway schools that separated them from their families and traditional land. These children endured brutality, physical hardship, mental degradation, and the complete erasure of their culture. The schools were part of a wider program of assimilation designed to integrate the native population into ‘Canadian society.’ These schools were established with the express purpose ‘To kill the Indian in the child.’ Told through their own voices, ‘We Were Children’ is the shocking true story of two such children: Glen Anaquod and Lyna Hart.

A bad girl and a province boy found love in the state of being broken and in the process of healing.

Two physically handicapped youngsters make friends with a paralysed hitman and are commissioned by a local mafia boss. They have little to lose although things are never as they first appear. The boundaries between fantasy and reality blur as the unlikely heroes stumble from one close encounter to the next and we gain an unusual insight into their lives on the periphery of society.

Sawako Kuronuma looks miserable on the outside, but is actually a positive-minded girl, who looks up to Shota Kazehaya, a sociable and friendly boy. Perceiving Sawako’s good intentions, he secretly has feelings for her. Sawako meets Kazehaya and makes her first friends, Chizuru and Ayane but in comes Kurumi proclaiming her love for him… Will Sawako and Kazehaya ever find out about each other’s feelings?