There is a true story of a woman who died in her apartment and it took people a year to find her body decomposing in a crisp Chanel suit. A young man becomes obsessed with this urban tragedy and disappears, wondering if anyone will notice. A young woman who shares his commuting schedule DOES notice. And when he resurfaces, she decides to follow him setting of a chain of events that bind them together…

Four black women, all of whom have suffered for lack of money and at the hands of the majority, undertake to rob banks. While initially successful, a policeman who was involved in shooting one of the women’s brothers is on their trail. As the women add to the loot, their tastes and interests begin to change and their suspicions of each other increase on the way to a climactic robbery.

As a seasoned homicide detective, Thomas Craven has seen the bleakest side of humanity. But nothing prepares him for the toughest investigation of his life: the search for his only daughter Emma’s killer. Now, he is on a personal mission to uncover the disturbing secrets surrounding her murder, including corporate corruption, government collusion and Emma’s own mysterious life.

Citadel tells the story of widower and single father Tommy Cowley, a man inflicted with chronic agoraphobia since the day his wife was attacked. He was unable to protect her. He lives in Edenstown, the council estate from hell. Here he finds himself terrorized by a gang of syringe wielding feral children, who are intent on taking his baby daughter. With the help of a kind Nurse and a renegade Priest, Tommy learns the nightmarish truth surrounding these hooded children. He also learns that to be free of his fears, he must finally face the demons of his past and enter the one place he fears the most – The abandoned Tower block known as the Citadel

Sang-hyun (Song Kang-ho), a respected priest, volunteers for an experimental procedure that may lead to a cure for a deadly virus. He gets infected and dies, but a blood transfusion of unknown origin brings him back to life as a vampire. Now, Sang-hyun is torn between faith and bloodlust, and has a newfound desire for Tae-ju (Kim Ok-vin), the wife of his childhood friend.

When a female guard becomes a prisoner of his mind, a male inmate struggles to keep the truth from escaping.

At the crossroads of two great ancient empires, a simple shepherd named David transforms into a powerful warrior and takes on a terrifying giant. One of history’s most legendary battles is retold in a stylistic, bloody tale of courage and faith.

Kim, Bella and Momo are three fourteen-year-old girls who discover a fantastic flower with magic qualities: by drinking its nectar they are transformed into boys and they enter a new world. At first they enjoy their newly found freedom, but soon Bella and Momo realize that there are downsides to it. Kim however gets seriously addicted…

Coming off a lengthy prison sentence, Mike White is coming home to a world changed drastically by technology and a mindset of just trying to live a normal life running his Gentlemen’s club and taking care of his family.

After 39 years together, Ben and George finally tie the knot, but George loses his job as a result, and the newlyweds must sell their New York apartment and live apart, relying on friends and family to make ends meet.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

When single mom Megan Nolan moves to a new town, she feels guilty for uprooting her ten-year-old daughter Caitlin. Seeing that the little girl’s only friend is a neighbor’s dog, Megan decides to adopt a shelter pet for Caitlin. She immediately regrets her decision when Caitlin gravitates to the biggest, sloppiest dog in the pound, Jake. Megan’s beautiful new home is now in shambles and, as Megan considers returning Jake to the shelter, handsome ballplayer Ben shows up claiming Jake is his dog, the regrettable outcome of his roommate leaving a gate open. Megan and Ben butt heads. Ben wants to take his dog and leave, until he sees that Caitlin loves Jake as much as he ever could. Now it is clear: the pound puppy everyone loves deserves no less than joint custody.