Mona Bergeron is dead, her frozen body found in a ditch in the French countryside. From this, the film flashes back to the weeks leading up to her death. Through these flashbacks, Mona gradually declines as she travels from place to place, taking odd jobs and staying with whomever will offer her a place to sleep. Mona is fiercely independent, craving freedom over comfort, but it is this desire to be free that will eventually lead to her demise.

A bride-to-be is forced to reevaluate her life when she reunites with her family in Jordan and finds herself confronted with the aftermath of her parents’ divorce.

A small-town boy needs to break through the class divide to gain acceptance from his childhood sweetheart who is in love with big city ideals.

A film poem inspired by the Peruvian poet César Vallejo. A story about our need for love, our confusion, greatness and smallness and, most of all, our vulnerability. It is a story with many characters, among them a father and his mistress, his youngest son and his girlfriend. It is a film about big lies, abandonment and the eternal longing for companionship and confirmation.

When 12-year-old Jonas’ mother leaves to “fight her demons”, he steps up as head of the household, becoming the unofficial guardian to his younger siblings. With food and money running out, the children retreat into a world of their own where, cloaked eerily in black-and-white, their home turns into one of bugs and mysticism – they make saucepan gardens, they take on insects as pets and spiderwebs encroach. Only the friendship of an odd young homeless man gives Jonas hope to survive in an adult’s world.

Lucy is a young gallery assistant who collects mementos from her relationships. She discovers that she must let go of her past to move forward, and comes up with a lovely, artistic way to help herself and others who have suffered heartbreak.

A boy escaped from home, listening, crouched in the depths of his hiding place, the cries of the men who seek him. When the game passes, what remains before him is an infinite and arid plain that he must cross if he wants to get away definitively from what has made him flee. His steps will intersect with those of a pastor and, from that moment, nothing will be the same for either of them.

Will Bastion returns home from the army after an absence of 20 years to bury his father, the former chief of thee Maori tribe, Ngati Kaipuku. The eldest son, he is reluctant to inherit his fathers role, so it is taken more willingly by his younger brother, Kahu. Kahu is the leader of a band of drug dealers and trouble-makers who ride horses through the middle of town, wrecking peoples gardens. Under the guise of refusal of a land settlement, Kahu makes a large marijuana deal with some murdering city folk. Will must choose between loyalty for his brother and his father, Maori tradition, and contemporary financial issues.

In the vein of MEET THE PARENTS and GUESS WHO’S COMING TO DINNER, ANITA HO follows down-on-his-luck Harry Ho, who finally decides to propose to his girlfriend, Anita, on her 30th birthday. But when Anita decides to spend her birthday in Las Vegas with her entire family – who has never met Harry – the fireworks begin! Unbeknownst to the young couple, Anita’s traditional Chinese parents have a nice Chinese doctor in mind for Anita, and they don’t approve of Harry, an unpaid Korean writer.

An army deserter and a black dock worker join forces against a corrupt union official.

Gabrielle seems to have it all – a devoted husband, a beautiful daughter, and a successful career in public relations. However, she soon stands to lose everything when she meets Keisha, her devious half sister who wants everything Gabrielle has.

A 29-year-old lawyer and her lesbian best friend experience a dramatic shift in their longtime bond after one enters a serious relationship