Settie Rose, an eccentric matriarch, hires struggling novelist Juan to write her holiday contest entry. A mixup sparks gossip of Juan’s engagement to Settie’s daughter Lily, leading the family to play along humorously.

Three disconnected siblings find themselves living once again under the same roof when the father who abandoned them returns to their lives.

A society girl tries to reform her playboy husband by making him jealous.

Chon Wang, a clumsy imperial guard trails Princess Pei Pei when she is kidnapped from the Forbidden City and transported to America. Wang follows her captors to Nevada, where he teams up with an unlikely partner, outcast outlaw Roy O’Bannon, and tries to spring the princess from her imprisonment.

Gerry and Sewell are broke. Gerry’s still at school and Sewell is unemployed. They both wish for better things in life. Owning two season tickets to their beloved football club is their biggest dream of all. The tickets cost £1000 – they’re £1000 short. But they are nothing if not resourceful, and they set themselves a mission to raise the cash. While they think up increasingly outlandish money making schemes – from selling junk to shoplifting and the odd bit of housebreaking – real life begins to interfere with the pair’s final scam going hilariously awry landing them in jail, only to discover that their punishment gets them exactly where they want to be!

Cellat, the Turkish version of Death Wish, sticks fairly close plot wise to the template of the American film, with some scenes and bits of dialogue being almost identical. However, it also deviates from its inspiration at times and is at its most interesting and valuable in these little moments, providing lurid snapshots of a place and a culture.

In New York, a Pakistani native finds that his American Dream has collapsed in the wake of the 9/11 terrorist attacks.

In a witty solo show, Brent Morin serves up infectious laughs on the agony of puberty, hot guy problems and the time a girl dumped him for a magician.

Juha has lost his wife in an accident. Years after, he still feels numb and unable to connect with people. Meeting Mona, a dominatrix, changes everything.

Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.

After his impetuous musician girlfriend, Samantha, dies in an accident shortly after they had a fight (and nearly broke up), a grief-stricken British businessman, Ian Wyndham, living in London gets a chance to relive the day all over again, in the hope of changing the events that led up to her getting killed.

When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state’s evidence and testify against the mob, it seems that a whole lot of people would like to make sure he’s no longer breathing.