Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters.
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Traumatized by her past Christmas is not at the top of Sarah’s list this time of year however waltzing through life’s unexpected emergencies she is taught the Christmas Dance.
Arriving in Gatlin, Nebraska, a news-reporter and his son get wind of a story about the youth in the town murdering their parents finds that a series of brutal murders are revealed to be worshipers of the corn-stalks and try to stop them before they carry out their plans.
The holiday season has started and Molly Cooper (Laura Vandervoort) is looking for joy. Finally living her childhood dream, Molly swaps her quaint farmhouse for London Financier Patrick Kingston’s posh apartment. Through the ups and downs of her new life in London and searching for romance, Molly begins to look forward to all communication with Patrick. Likewise, Patrick finds Molly’s warm emails and texts charming and compelling. Sparks fly between them as they get to know each other as they live in each other’s spaces.
Jamie is a boorish, insensitive American twentysomething traveling in Chile, who somehow manages to create chaos at every turn. He and his friends are planning on taking a road trip north to experience a legendary shamanistic hallucinogen called the San Pedro cactus. In a fit of drunkenness at a wild party, Jamie invites an eccentric woman—a radical spirit named Crystal Fairy—to come along.
After her husband’s death, Hana lives on alone in the family villa. Her two sons visit her with their families, but these visits frequently end in quarrels. When Hana meets Brona, a hardy fellow, inured to winter swimming, a new world opens before her. Brona’s team-mates absorb her into their team and Hana gradually learns to overcome her fear of icy water. Her relation with Brona grows into love.
A young woman (Bonnie Dennison) falls for a mysterious man (Michael Welch) who reveals his dark side.
1930s Korea, in the period of Japanese occupation, a new girl (Sookee) is hired as a handmaiden to a Japanese heiress (Hideko) who lives a secluded life on a large countryside estate with her domineering Uncle (Kouzuki). But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to elope with him, rob her of her fortune, and lock her up in a madhouse. The plan seems to proceed according to plan until Sookee and Hideko discover some unexpected emotions.
Convicted killers David Sweat and Richard Matt seduce bored, restless, small town mom Joyce Mitchell who aids and abets their audacious jailbreak.
When bullied Molly Flowers declares her dislike of boys, her boozy and self medicated mother invents a story to shock her into a more sympathetic view. The tale of how Molly had actually been born a boy called Bradford Dillman but, because of Mum’s want for a little girl, she asked the doctors to chop her willy off. The offending item has been kept for Molly in a shoebox on top of her wardrobe which now looms over everything she does. Molly’s over active imagination manifests itself into the arrival of Bradford Dillman. When Mum denies all knowledge of the tale, who will Molly choose to believe in?
Just as Fritz Lang’s Metropolis (1927) is testimony to German silent film art, The Story of the Kelly Gang (1906) symbolises both the birth of the Australian film industry and the emergence of an Australian identity. Even more significantly it heralds the emergence of the feature film format. The Story of the Kelly Gang, directed by Charles Tait in 1906, is the first full-length narrative feature film produced anywhere in the world. Only fragments of the original production of more than one hour are known to exist and are preserved at the National Film and Sound Archive, Canberra. (unesco.org)
