Battle-scarred and disillusioned by the war, Corporal Chris Merrimette is put in charge of a unit whose next mission is to resupply a remote outpost on the edge of Taliban-controlled territory. While driving through the hostile Helmand province, a Navy SEAL flags down their convoy and enlists the unit on an operation of international importance: they must help an Afghan woman famous for her defiance of the Taliban escape the country. Without tanks or air support, Merrimette and his team will need all the courage and firepower they can muster to fight their way across the war-torn country and shepherd the woman to safety.
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Anna is stuck: she’s approaching 30 and has just moved back to her rural home-town, and into a shed in her mother’s backyard. She spends her time working a menial job at a local boating center and hides in the depths of her imagination, making movies with her thumbs. Irritated by her childish behavior, Anna’s mother insists that she move out of her shed and on with her life. When a troubled young boy starts hanging around, the two form an unlikely bond. Through their strange yet mutually beneficial friendship, Anna slowly begins to confront her perpetual state of arrested development.
Two corrupt cops have a successful, seemingly perfect money making scheme- they sell drugs that they seize from dealers, kill the dealers, and blame the crimes on street gangs. Their scheme is going along smoothly until they kill an undercover DEA agent posing as a dealer, and then try to cover-up their crime.
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Kelly strips – her best friend Jordan captures the event on her mobile phone. Kelly’s name is well known among the visitors of (in)appropriate online portals. The two teenagers digitally record anything and everything that crosses their paths and upload the results to the internet. But, today is not their day: Kelly’s ex-boyfriend has taken her car containing a package she was not to lose under any circumstances. While searching for it, the two set off on a peculiar journey through a night peppered with drugs, sex, corrupt police officers and other catastrophes – and always with their trusty mobiles in hand. Made entirely using mobile phone cameras, KING KELLY is a satirical journey through the boundless narcissism of the YouTube generation.
