Faced with a documentary film that included an interview with a young girl forced into prostitution, Michael Kranz asked himself the apparently banal question of “what can be done?” He travelled to Bangladesh and began to search for the girl. A film that is both self-critical and critical of society about the desire to at least do something and not to simply and passively give in to the injustices in this world.

Jay Mohr’s newest one hour special, and the first in over 7 years, is a hilarious set of stories of the challenges of raising two kids, keeping his family on the right path, along with his legendary impressions (Christopher Walken, Norm MacDonald, Adam Sandler and a host of others) and riotous real life Hollywood stories. As Jay says, “the stories are all true” and they’re all funny too.

50 years ago, deep in the Welsh countryside, two brothers were milking cows and preparing to take over the family farm but dreamed of making music. They had the audacious idea to build a studio in their farmhouse. Animals were kicked out of barns and musicians moved into Nan’s spare bedroom. Inadvertently, they’d launched the world’s first independent residential recording studio: Rockfield. Black Sabbath, Queen, Robert Plant, Iggy Pop, Simple Minds, The Stone Roses, Oasis, Coldplay and more made music and mayhem at Rockfield over the decades. This is their story of rock and roll dreams intertwined with a family business’s fight for survival in the face of an ever-changing music landscape.

The tradition of the Irish pub. Speaking to pub owners all over Ireland, Alex Fegan gets into the heart of what makes “the Irish pub” the institution that it is.

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.

Take Me to the River is a film about the soul of American music. The film follows the recording of a new album featuring legends from Stax records and Memphis mentoring and passing on their musical magic to stars and artists of today.

Dina, an outspoken and eccentric 49-year-old in suburban Philadelphia, invites her fiancé Scott, a Walmart door greeter, to move in with her. Having grown up neurologically diverse in a world blind to the value of their experience, the two are head-over-heels for one another, but shacking up poses a new challenge. Scott freezes when it comes to physical intimacy, and Dina, a Kardashians fanatic, wants nothing more than to share with Scott all she’s learned about sensual desire from books, TV shows, and her previous marriage. Her increasingly creative forays to draw Scott close keep hitting roadblocks—exposing anxieties, insecurities, and communication snafus while they strive to reconcile their conflicting approaches to romance and intimacy.

In January 2016, businesswoman Sadie Hartley was brutally stabbed to death in her own home. This film follows Lancashire Police as they investigate the case from the call-out to the murder scene to the trial of the two female suspects.

It’s just weeks before Christmas when Ellie (Bethany Joy Lenz) gets a call to return home to help her father (John Schneider) on the family’s poinsettia farm. The family business is on the line to deliver tens of thousands of plants for the town’s annual parade. The problem is — the poinsettias have yet to turn red! As Ellie searches for the solution, she is reminded of where her heart truly lies as she falls in love with both her roots and a local botanist (Marcus Rosner).

At the annual Vent Haven Convention in Ft. Mitchell, Kentucky, ventriloquism capital of the world, director Mark Goffman discovers five extraordinary characters straight out of a Christopher Guest mockumentary. But in this delightful, it’s-all-true documentary, the characters are real, and so are the emotional attachments that they have with their “dummies.”

As good as any Dickens novel, this is the triumphant and tragic story of the greatest architectural dynasty of the 19th century. Dan Cruickshank charts the rise of Sir George Gilbert Scott to the very heights of success, the fall of his son George Junior and the rise again of his grandson Giles. It is a story of architects bent on a mission to rebuild Britain. From the Romantic heights of the Midland Hotel at St Pancras station to the modern image of Bankside power station (now Tate Modern), this is the story of a family that shaped the Victorian age and left a giant legacy.

Examines the implementation and ineffectiveness of anti-doping policies in sports.