Charlotte Bronte’s classic novel is filmed yet again. The story of the Yorkshire orphan who becomes a governess to a young French girl and finds love with the brooding lord of the manor is given a standard romantic flare, but sparks do not seem to happen between the two leads in this version.
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A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.
An obese boy named Fat Albert and his friends Rudy, Mushmouth, Bill, Dumb Donald, Russell, and Weird Harold, pulls into trouble when they “fall” out of their TV world into the real world, where Fat Albert tries to help a young girl, Doris, make friends.
A young man living in Chicago seeks revenge against the killer who shot down his mother in cold blood in this film based on a true story.
A poor barefoot young man from the country arrives in the city to start work with the friend of his dead father.
An adolescent arrives in a new town where he tries to join the drag-racing crowd.
In 1914, World War I, the bloodiest war ever at that time in human history, was well under way. However on Christmas Eve, numerous sections of the Western Front called an informal, and unauthorized, truce where the various front-line soldiers of the conflict peacefully met each other in No Man’s Land to share a precious pause in the carnage with a fleeting brotherhood.
PK, an English orphan terrorized for his family’s political beliefs in Africa, turns to his only friend, a kindly world-wise prisoner, Geel Piet. Geel teaches him how to box with the motto “fight with your fists and lead with your heart”. As he grows to manhood, PK uses these words to take on the system and the injustices he sees around him – and finds that one person really can make a difference.
The story spans from 1965 to the early 1970s. Heavily pregnant Zhao Di, the unwanted second wife of an older man, was chased out by her husband’s family and forced to return to her own family. She gave birth to a pair of twins, Shun Fatt and Su-mei. As Su-mei had two moles on her face, which was said to be bad luck, she decided to give her up due to the pressure of wanting to build a better life for the rest of her family. Her father, under the advice of a match-maker, married her off to a coffee shop owner Xiao Qie, but after his unfortunate death, she was chased out the door with five young children to look after. With Zhao Di’s indomitable spirit, and with the help of her family, they went through adversities, witnessed the changes through the years, and accompanied every step of the nation`s growth in its early years.
Carol Morley’s debut short uses the iconography of the genre of melodrama – the staircase, the father – to explore the story of a girl’s relationship with her father, and the impossibility of recreating a time, a place, and a memory. Cross-cutting between the girl protagonist and her father, the film creates a sense of crisis and conflict. As the girl invests her feelings in her surroundings and describes events connected to her father, we are drawn into a world of pain and pathos. Morley’s first directorial credit was her graduation film from Central St. Martin’s School of Art.
