Bathsheba Everdine, a willful, flirtatious, young woman, unexpectedly inherits a large farm and becomes romantically involved with three widely divergent men.

Jan Schlickmann is a cynical lawyer who goes out to “get rid of” a case, only to find out it is potentially worth millions. The case becomes his obsession, to the extent that he is willing to give up everything – including his career and his clients’ goals, in order to continue the case against all odds.

Charles McCarter and his wife Helen are about to celebrate their 18th-wedding anniversary when Helen comes home to find her clothes packed up in a U-Haul van parked in the driveway. Charles is divorcing Her. Helen moves in with her grandmother Madea, an old woman who doesn’t take any lip from anyone. Madea helps Helen through these tough times by showing her what is really important in life.

Spanning over one thousand years, and three parallel stories, The Fountain is a story of love, death, spirituality, and the fragility of our existence in this world.

Author Nell Phillips’ first book has become a surprise best-seller of the Christmas season. Nell’s last stop on a nationwide book tour takes her to the town of Springdale, the hometown of Emmett Turner, a young man she met over five years ago while both were junior copy editors at a New York publishing company. Nell was hurt when Emmett stood her up for a dinner date and then disappeared from New York without any explanation. As Nell is quick to admit, Emmett’s colorful, nostalgic anecdotes about Springdale inspired her to write this book that is shaping her life and especially this holiday season.

Stephen is a professor at Oxford University who is caught in a rut and feels trapped by his life in both academia and marriage. One of his students, William, is engaged to the beautiful Anna, and Stephen becomes enamored of the younger woman. These three people become linked together by a horrible car crash, with flashbacks providing details into the lives of each person and their connection to the others in this brooding English drama.

When Eastern European criminals Oleg and Emil come to New York City to pick up their share of a heist score, Oleg steals a video camera and starts filming their activities, both legal and illegal. When they learn how the American media circus can make a remorseless killer look like the victim and make them rich, they target media-savvy NYPD Homicide Detective Eddie Flemming and media-naive FDNY Fire Marshal Jordy Warsaw, the cops investigating their murder and torching of their former criminal partner, filming everything to sell to the local tabloid TV show “Top Story.”

Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns

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While driving to the reading of her father’s will, Catherine is faced with an anomaly on the side of the road.

A soldier recounts his relationship with a famous political prisoner attempting to overthrow their country’s authoritarian government.

In North Carolina’s Appalachian Mountains, eighteen-year-old Jacob McNeely is torn between appeasing his meth-dealing kingpin father and leaving the mountains forever with the girl he loves.