After serving time for manslaughter, young Vince Everett becomes a teenage rock star.
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When Pia plays a mysterious vinyl record single, she suddenly knows how to travel through her own life. Made in collaboration with the Netherlands Film Fund, Pathé and SNS Reaal Fonds.
Minako (TANAKA Yuko), begins her day running up and down the hills of her hometown delivering milk door to door. When that’s done, she heads to her day job as a supermarket cashier. Minako is 50 and single. In one of the houses to which she delivers milk is a man with whom she has secretly been in love since high school. The man, Keita (KISHIBE Ittoku), lives with his wife Yoko, who is terminally ill. Caring for her at home, he works in the children’s affairs section of the local municipal office. Though he insists that he wants nothing more than an “ordinary” existence, his life is in turmoil below the surface. The director uses a variety of narrative devises to portray the loneliness, isolation, and hope of these people who have seemingly allowed their goals and dreams to slip away, whilst keeping them agonizingly close to hand.
When lapsed Jew and former cardiologist Harry (James Caan) suddenly decides to spend his retirement as a pig farmer in Nazareth, Israel, the move deeply shocks his family and his new neighbours. Back in New York, Harry’s ex-wife Monica (Rosanna Arquette) is trying to manage the lives of their adult children, Annabelle and David (Jonathan Rhys Meyers), as well as her own.
A buffalo hunter (Stewart Granger) has a falling-out with his partner (Robert Taylor), who kills for fun.
Now the world champion, Rocky Balboa is living in luxury and only fighting opponents who pose no threat to him in the ring, until Clubber Lang challenges him to a bout. After taking a pounding from Lang, the humbled champ turns to former bitter rival Apollo Creed for a rematch with Lang.
Richard, a world-weary college professor is given a life-changing diagnosis and decides to throw all pretense and conventions to the wind and live his life as boldly and freely as possible with a biting sense of humor, a reckless streak, and a touch of madness.
Based on real life events, Summer of ’67 brings to life the turbulent times of the sixties and the struggles faced by the men and women impacted by the Vietnam War. Young wife and mother Milly (Rachel Schrey) is forced to live with her mother-in-law while her husband Gerald (Cameron Gilliam) is away on the USS Forrestal. Kate (Bethany Davenport) must choose between Peter (Christopher Dalton) her high school sweetheart and Van (Sam Brooks) her new hippie boyfriend. Ruby Mae (Sharonne Lanier) finally finds true love with Reggie (Jerrold Edwards) only to have him whisked away by the draft. Each woman faces the question of whether or not their man will return, and even if he does, will life as they know it ever be the same?
Jeannette is a single mother living in a working-class community in Marseilles; she tries to support herself and her two kids on her salary as a check-out girl at a supermarket and lives in an apartment complex where everyone is thrown into close proximity with everyone else. Marius is working as a security guard at a cement factory that has gone out of business; he’s also squatting in the building, since the plant is soon to be demolished and he’ll be needing his money later on. One day, Jeannette happens by the factory, and spotting several cans of paint, tries to take two of them home with her. Marius spots her and tries to chase her away, while she rails at him with curses against the capitalist system. The next day, an apologetic Marius appears at her doorstep, cans of paint in hand; the two soon become friendly, and a romance begins to bloom, though it quickly becomes obvious that Jeannette’s romance novel fantasies are a bit off the mark from what Marius has in mind.
When a couple sets out to build their dream house, they enlist the services of an uncompromising modernist architect, who proceeds to build HIS dream house instead of theirs.
What is peace? What is coexistence? And what are the basis for them? PEACE is a visual-essay-like observational documentary, which contemplates these questions by observing the daily lives of people and cats in Okayama city, Japan, where life and death, acceptance and rejection are intermingled.
Retired marshal Dillon goes after a 15 year old boy who is determined to kill the men responsible for the murder of his mother during a stagecoach robbery