Don Gregor, the son of famous plastic surgeon Dr. Boris Gregor, begins to hang around with young criminal Vic Brady and carry a gun. The pair attempt an armed holdup, and when things start to go wrong Gregor accidentally kills a night watchman. Fearing that Gregor plans to turn himself in, Brady kills him and blackmails Dr. Gregor into giving him a new face.
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Young lovers in London are wrapped up in a love triangle that may not be exactly what it seems. Carmen, a beautiful Spanish woman with a tendency to lose her temper at the drop of a hat, is about to be married to Barnaby, a caring, wealthy, but slightly boring Englishman. While out with friends on her ‘hen night’ she encounters a stranger who suddenly sparks a passion that has been sleeping within her. As her wedding date approaches, she finds herself struggling to put this newcomer out of her mind, but his effect on her keeps growing stronger. What is it that he sees in her, and why does she feel like she’s being pushed inevitably into his arms?
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When a crime boss sends out his thugs to terrorize an entire city, they do whatever they want, which includes anything from petty theft to robbing the police station in broad daylight. Napoli spara! (internationally released as Weapons of Death and Naples shoots) is a “poliziottesco” film directed by Mario Caiano in 1977. It is an unofficial sequel of Napoli violenta, of which reprises the character of Gennarino (still played by Massimo Deda).
A documentary featuring interviews with 100 influential women from around the world.
When an African dictator jails her husband, Shandurai goes into exile in Italy, studying medicine and keeping house for Mr. Kinsky, an eccentric English pianist and composer. She lives in one room of his Roman palazzo. He besieges her with flowers, gifts, and music, declaring passionately that he loves her, would go to Africa with her, would do anything for her. “What do you know of Africa?,” she asks, then, in anguish, shouts, “Get my husband out of jail!” The rest of the film plays out the implications of this scene and leaves Shandurai with a choice.
A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager.
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When Eyal finishes the week of mourning for his late son, his wife urges him to return to their routine but instead he gets high with a young neighbor and sets out to discover that there are still things in his life worth living for.
In a basement, somewhere in war torn Baghdad, hostage Adam Smith is waiting to die. With no time, no chance, and no hope, he must look into the abyss of his own personal hell and it is here, ‘in the valley of the shadow of death’ that something divine is awaiting him.