The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka – a despised woman and a worshiped singer.

Gerrard Winstanley is the leader of a 17th Century religious group that believes the land should be owned communally. His convictions bring him into conflict with both the state and the church.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

A New Yorker moves to Los Angeles in order to figure out his life while he housesits for his brother, and he soon sparks with his brother’s assistant.

Two brothers spend the day driving around Los Angeles county looking for the meaning of their lives, or cheap street drugs, depending on who you happen to believe.

New York police detective John Shaft arrests Walter Wade Jr. for a racially motivated slaying. But the only eyewitness disappears, and Wade jumps bail for Switzerland. Two years later Wade returns to face trial, confident his money and influence will get him acquitted — especially since he’s paid a drug kingpin to kill the witness.

Ginko’s younger brother Tetsuro, a failed comedian, is the oddball of the family. Embarrassing, loud and plain inappropriate at times causes Ginko to disown him. The two reunite when she discovers Tetsuro is terminally ill. Tetsuro’s impending death marks the beginning of love and toleration.

Convicted felon Max Truemont (played by Josh Holloway) is hired to execute a kidnapping of the son of one of the richest women in the state. Along with his fiancée Roxanne (played by Sarah Wayne Callies), Max joins two other strangers who were also hired by the same absent mastermind behind the kidnapping.

An ex-soldier turned deliveryman is dragged into a local kingpin’s bumbling gang to pull off a daring heist in an infamous South African township.

Kay Arnold is a gold digger who wanders from party to party with the intention of catching a rich suitor. Jerry Strong is a young man from a wealthy family who strives to succeed as an artist. What begins as a relationship of mutual convenience soon turns into something else.

Pobby & Dingan are invisible. They live in an opal town in Australia and are friends with Kellyanne, the 9 year-old daughter of an opal miner. The film tells the story of the bizarre and inexplicable disappearance of Pobby & Dingan, Kellyanne’s imaginary friends, and the impact this has on her family and the whole town. The story is told through the eyes of Kellyanne’s 11 years old brother Ashmol.

Iraq, 2009. Little Hamoudi (10) is totally obsessed with football. Just as the rest of the world, he and his friends are eagerly looking forward to the Champions League finale FC Barcelona-Manchester United. The long awaited clash between Messi and Ronaldo. But then Hamoudi’s television breaks down…