Anoosh and Arash are at the center of Tehran’s underground techno scene. Tired of hiding from the police and their stagnating career, they organize one last manic techno rave under dangerous circumstances in the desert. Back in Tehran they try their luck selling their illegally printed music album without permission. When Anoosh is arrested, there seems to be no hope left. But then they receive a phone call from the biggest techno festival in the world. Once landed in Switzerland, the haze of the instant euphoria evaporates quickly when the seriousness of the situation starts to dawn on them.

The seemingly picturesque life of an ex-musician musician turns upside down when the woman who caused him to quit music moves in down the street.

This is an intriguing avant-garde look at what motivates the leisurely classes in Portugal, for better or worse, by director Manoel de Oliveira. Set in a spacious country home peopled with a wide-ranging cast of characters, the drama begins as the friends of a widow come to console her on the loss of her husband. But at one point, the widow goes upstairs, encounters her husband, and is faced with his accusations about the past. This event and others provide the means of revealing the petty, self-serving, egocentric, and romantic pursuits of the melange of people in the house. – Eleanor Mannikka, Rovi

Nikamma is an action-comedy, which is a remake of 2017 Telugu film film Middle Class Abbayi.

One day, Jean-Louis discovers that his heart has stopped. He is not dead, can walk and talk, but his heart is no longer beating. With the help of his wife and a friend, he tries to understand the origin of this mystery.

Friday Foster, an ex-model magazine photographer, goes to Los Angeles International airport to photograph the arrival of Blake Tarr, the richest black man in America. Three men attempt to assassinate Tarr. Foster photographs the melee and is plunged into a web of conspiracy involving the murder of her childhood friend, a US senator, and a shadowy plan called “Black Widow”.

It’s not easy to be Barry. An earthworm gets no respect. He lives at the bottom of the food chain. But one day, an old disco record turns his life upside down. Suddenly he sees before him his own destiny, the star of the world’s greatest disco band: Sunshine Barry & The Disco Worms! Okay, he’s got no arms, no rhythm and no band. But as Barry says: “We’ll do it anyway!”

A homeless man wanders the lands in search of revenge for the murder of his son at the hands of an unknown gang. Upon arriving in a new town he finds himself trapped in a city drowning in chaos, its people firmly in the grasp of a ruthless crime boss peddling the mind-bending drug, “El Ultimo Aire.” This man is a legend, a hit man, the killer of killers and the people call him “Toro Loco.” He fights punks, crack-heads and tough guys with his trademark shooter, a Smith & Wesson 34-1, but you take that away from him and it doesn’t matter. Toro Loco has another deadly weapon: his hands! Toro Loco is here and the first to die are the fucking lucky ones!

A boxer from berlin gets involved in several schemes. When trouble mounts, he relocates to Turkey.

After the assassination of President Park, martial law has been declared. A coup d’état bursts out by Defense Security Commander Chun Doo-gwang and a private band of officers following him. Capital Defense Commander Lee Tae-shin, an obstinate soldier who believes the military should not take political actions, fights against Chun Doo-gwang to stop him. The conflict between the two grows while military leaders are holding their decision and Defense Minister is gone. In the midst of chaos, the spring of Seoul that everyone longed for heads to unexpected direction.

They don’t come in peace.

A rich but racist man is dying and hatches an elaborate scheme for transplanting his head onto another man’s body. His health deteriorates rapidly, and doctors are forced to transplant his head onto the only available candidate: a black man from death row.