Jackass 3D is a 3-D film and the third movie of the Jackass series. It follows the same premise as the first two movies, as well as the TV series. It is a compilation of various pranks, stunts and skits. Before the movie begins, a brief introduction is made by Beavis and Butt-head explaining the 3D technology behind the movie. The intro features the cast lining up and then being attacked by various objects in slow-motion. The movie marks the 10th anniversary of the franchise, started in 2000.
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HA Yoon-ju becomes the newest member to a unit within the Korean Police Forces Special Crime Department that specializes in surveillance activities on high profile criminals. She teams up with HWANG Sang-Jun, the veteran leader of the unit, and tries to track down James who is the cold-hearted leader of an armed criminal organization.
A rookie cop joins the crime branch of the Mumbai police department, and on his first assignment is faced with the dilemma of whether he should shoot a murder suspect who is attempting to escape or not.
Jaga Bada, Mr. Satan’s old sparring partner, has invited Satan to his personal island to hold a grudge match. Trunks and Goten decide to come for the adventure and Android #18 is following Satan for the money he owes her. Little do they know that Jaga Bada’s scientist have found a way to resurrect Broly, the legendary Super Saiyan.
A retired businesswoman – who tries to control everything around her – decides to write her own obituary. A young journalist takes up the task of finding out the truth, and the result is a life-altering friendship.
In the 1930s, three friends—a doctor, a nurse, and an attorney—witness a murder, become suspects themselves and uncover one of the most outrageous plots in North American history.
L. Frank Baum is attempting to write a new story. Before he has written more than his name, he is interrupted by his youngest son, Kenneth, and their dog, Dorothy. Persuaded to write about Santa Claus by Kenneth, and with the support of hos butler, he spins a yarn about a “Santanapping” preventing Santa Claus from performing his annual duties and the ambition of the young ryl, Whisk, to assist in Santa Claus’s rides, who, with Kilter the pixie and Nutter the knook, has to do just that, according to Santa Claus’s emergency orders.
The Inuit of Belcher Islands struggle to adapt as their environment changes.
A look into six proud veterans’ experiences with the US Department of Veterans Affairs (VA) Veterans Health Administration (VHA) as they seek to manage the mental and physical trauma they sustained in uniform. The film details their experiences with an embattled VA and educates about the fundamental changes that are needed to ensure our veterans are taken care of.
Wiz’s Weekender (1992) was a film ahead of its time, both in form and content. It engaged with contemporary issues that mainstream media were eager to sensationalise. Consequently, it was branded with an 18 certificate and banned by both the BBC and ITV, never reaching a wider audience. For the past three decades, Weekender has bubbled just below the surface, gaining genuine cult status and influencing a vast network of creators. In the run-up to its thirtieth anniversary filmmakers Tabitha Denholm and Adam Dunlop interviewed people involved in the project. I Am Weekender is built around those conversations.
