Jackass 3D is a 3-D film and the third movie of the Jackass series. It follows the same premise as the first two movies, as well as the TV series. It is a compilation of various pranks, stunts and skits. Before the movie begins, a brief introduction is made by Beavis and Butt-head explaining the 3D technology behind the movie. The intro features the cast lining up and then being attacked by various objects in slow-motion. The movie marks the 10th anniversary of the franchise, started in 2000.
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This documentary weaves together live performances and interviews from the 50th anniversary of the iconic festival, featuring some of the biggest names in the music industry, along with a wealth of archival documentary footage from the past half century. This film not only captures the music fest in all of its beauty, madness, and glory, but also delves deep into the rich culture of The Big Easy.
Puppets live alongside humans peacefully, but suddenly their behavior becomes depraved. Is such criminal activity rare, or is the media blowing things out of proportion, making cops look like sadistic gunslingers and causing people to distrust them, each other, and most of all, puppets. Is the apocalypse coming, or is the fear-mongering just a great way for News programs to get advertising money? Wait – that makes this movie sound like a serious allegory. Change that. This movie has more wtf moments than you can imagine. It’s high brow and low brow at the same time.
As the home planet of the Green Lantern Corps faces a battle with an ancient enemy, Hal Jordan prepares new recruit Arisia for the coming conflict by relating stories of the first Green Lantern and several of Hal’s comrades.
The Dutch supervillain Freek van Dyk is keeping the world on tenterhooks – and the world’s best secret services can only stand by and watch. Finally, the Turkish Ayran Secret Service intervenes. However, there is a mix-up, because after two of the ASS men are eliminated, ASS head Süleyman is looking for a “Süper agent” and mistakes the clueless Indian cleaner Ranjid for one. He actually just wants to cure his sick cow, but suddenly has to save the world.
Her innocent appearance is just a cover for Last Comic Standing winner Iliza Shlesinger’s acerbic, stream-of-conscious comedy that she unleashes on an unsuspecting audience in her hometown of Dallas in “War Paint,” her first stand-up special.
UFC featherweight champion Max Holloway will make his Octagon return after a frightening health scare earlier this year to fight top 145-pound contender Brian Ortega. If “Blessed” is unable to answer the call, however, the Hawaiian risks getting stripped of his division strap. In addition, former bantamweight title contender Valentina Shevchenko will battle ex-strawweight champion Joanna Jedrzejczyk for the vacant 125-pound strap, recently stripped from the inactive Nicco Montano.
A group of down-on-their-luck bounty hunters hit the jackpot one night when they pick up an informant with a hundred thousand dollar bounty on his head. But their world is turned upside down when a mob boss offers them one million dollars in exchange for the informant. When they refuse, the mafia unleashes a trio of assassins on them who use all of their power to bring the bounty hunters down, and to get their man – dead or alive.
The film is based on the Killzone series, a popular first person shooter on the PlayStation 3 platform. It’s an independent sci-fi action project. It took 2 years to produce with the help of volunteers and even with the assistance of the game developers. Killzone Intercept occurs before the events of Killzone 4 as the ISA evacuate Helghan. The protagonist, a small scout squad is called upon to stall a large group of approaching Helghasts that plan to cut off the ISA convoy from reaching the extraction point. Outnumbered, the squad takes on the task with hopes of getting everyone off the planet alive.
In 1988, filmmaker Kevin Tomlinson filmed & interviewed a group of back-to-the- land “hippies”–living off-grid, insulated from mainstream culture. In 2006 he tracked down his subjects again to find out what had become of their families’ utopian plans and dreams.
Hotheaded laborer B.J. Hammer can’t go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis, a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.
