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James Hunt has never been equalled. Could swashbuckling Hunt catch the scientific Lauda? Could Niki overcome an appalling crash to come back from the dead and fight James all the way to the last race of the season? This powerful story captures the heart of the 1970s – told through unseen footage and exclusive interviews with the people who were really there – the team managers, families, journalists and friends who were in the front row of the season that changed Formula 1 forever.
This is the tale of a young woman, growing up in the age of the internet and turning the search for oneself into a public spectacle, allowing kids from all over the world to live their life through hers. Through her fragmented personalities you see the emergence of a new generation, in which the concept of a fixed identity has grown old.
A documentary about a man who impersonates a wise Indian Guru and builds a following in Arizona. At the height of his popularity, the Guru Kumaré must reveal his true identity to his disciples and unveil his greatest teaching of all.
Regarded by many as an influential figure in the history of cassette culture and DIY recording, Martin Newell has been an integral part of the British music scene since the 1970s, and his music career spans over six decades. He’s been produced by XTC’s Andy Partridge, and written for the likes of Captain Sensible of The Damned. Though it would be wrong to call him an “unknown”, he has never been directly in the limelight. This film brings to light the amazing career and life work of the artist, who, on top of being the most published contemporary British poet as well as an established gardener, continues to record and release music today.
The Hustle of @617MikeBiv details the life of Michael L. Bivins. A kid from Roxbury’s Orchard Park Projects who dreamed of playing in the NBA, but due to his popularity he joined the legendary group New Edition.
In 2009, Alex Gibney was hired to make a film about Lance Armstrong’s comeback to cycling. The project was shelved when the doping scandal erupted, and re-opened after Armstrong’s confession. The Armstrong Lie picks up in 2013 and presents a riveting, insider’s view of the unraveling of one of the most extraordinary stories in the history of sports. As Lance Armstrong says himself, “I didn’t live a lot of lies, but I lived one big one.”
Set aboard a hulking fishing vessel as it navigates the treacherous waves off the New England coast. The very waters that once inspired Moby Dick, the film captures the harsh, unforgiving world of the fishermen in starkly haunting, yet beautiful detail.
A recovering alcoholic and recently converted Mormon, Arthur “Killer” Kane, of the rock band The New York Dolls, is given a chance at reuniting with his band after 30 years.
Documentary that covers Federica Pellegrini’s career and her preparation in the last 300 days before the Tokyo 2020 Olympic Games.
The true story of the smallest Green Beret soldier who became a war hero-only to be killed homeless and alone, whose life and death are shrouded in mystery.
An entire family poisoned by an unknown intruder. A suicide made to look like a murder. An airbag that becomes a perfect crime scene. These fascinating stories and more are unveiled in this Autopsy special that looks at criminal cases that might never have been uncovered were it not for the efforts of forensic pathologists and other ‘detectives of death.’
In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film Gray State. Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film’s crowd funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists and members of the nascent alt-right. In January of 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims.