Do you look back on the optimism of the 1997-2001 era as a lost golden age, or do you see it as a period of naïvety, delusion and folly? There’s a lot of nostalgia for the nineties at the moment, especially from people too young to remember it who see the decade as a simpler, pre-internet time. Modern nostalgia often draws on corporate American-90s mall culture, but what about British culture? With I’ve Been Trying To Tell You – made to accompany the Saint Etienne album of the same name – director Alasdair McLellan evokes the era through the fog of memory. The resulting film, shot in locations from Grangemouth to Portmeirion to Southampton, is both beautiful and enveloping.
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A young woman wanders around New York City and stumbles across a number of strange characters and settings that represent the “underground” areas of the city. She sees stand up comedy in Central Park, a prostitution auction, a voodoo ceremony, an S&M club, and a number of very interesting performance artists. These are just a few of the sights and sounds of New York that she encounters.
They are in their thirties but live just as they did in their twenties. They are in love with love but, in their search, they tear each other apart, wandering from ex-girlfriend to ex-girlfriend, from relationship to relationship.
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Join us for a night of celebration, packed with celebrity guests and Hocus Pocus throwbacks, at the Hollywood Forever Cemetery.
Rahul is a singer, who loses his career due to his drinking habits. He meets Arohi in a bar in Goa, where she works to earn a living. Impressed by her singing, he promises to take her to Mumbai and make her a star, where they fall in love with each other. Will they stay together accepting their success, or will their egos break them apart?
We Are Kings is a rock and roll/blues fable, a group of down and out musicians breaks through against all odds, with a little help from a friendly ghost. Starring Sammy Blue, Rita Graham, Bianca Ryan, Pryce Watkins, and Jonathon Boogie Long.
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An impressionistic documentary about an underground music club in the Lower East Side encompassing the music traditions of NYC.
Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.
