Veer, a young man from a rural village, learns on his wedding day that the people whom he thought were his parents arn’t. After an attempt is made on his life by unknown gunmen, whom he kills them all using martal arts skills he didn’t know he had, he learns that all of his dreams of a past life are real and that for the past three years he was raised by the couple after finding him in a river, half-dead with five bullet wounds in him. The search takes Vir to Bombay where he soon regains his memory and finds his real name to be a Muslim game marksman named Ali and is targed by criminal bigwigs and corrupt government officials whom he used to work for and betrayed him after hiring him to assasinate various underworld criminals and then framed him for the murder of an innocent chief minister.

An actress’s perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.

Alfred “Boogie” Chin is a basketball phenom living in Queens, New York, who dreams of one day playing in the NBA. While his parents pressure him to focus on earning a scholarship to an elite college, Boogie must find a way to navigate a new girlfriend, high school, on-court rivals and the burden of expectation.

Human lives grappling with all the flavors of exstential despair intersect in a deadpan collage of comic suffering.

Southern Baptist Sissies is the live film of the GLAAD Award winning play by Del Shores. Southern Baptist Sissies is the story of four boys who are gay growing up in the Southern Baptist Church and how they each deal differently with the conflict between the teachings of the church and their sexuality.

A housewife struggles with her husband after he is possessed by a ghost.

Rod Steiger is ferocious as a scheming land developer in Francesco Rosi’s Hands over the City, a blistering work of social realism and the winner of the 1963 Venice Film Festival Golden Lion. This expose of the politically driven real-estate speculation that has devastated Naples’s civilian landscape moves breathlessly from a cataclysmic building collapse to the backroom negotiations of civic leaders vying for power in a city council election, laying bare the inner workings of corruption with passion and outrage.

“Laura Smiles” is an alarmingly effective portrait of a woman’s mental breakdown. We are introduced to “Laura” at her happiest time, in a warm, loving relationship with her fiancé (a very appealing Kip Pardue) in the city, literally the love of her life. In flashbacks, we then see the sweet development of this relationship out of order as these moments become brightly lit and colored memories that desperately intrude on her later in life, as she becomes consumed with guilt and remorse over his fate. These feelings start to overwhelm her current life as a wife and mother. As something inconsequential in what she calls her “suburban drudgery” triggers the past — in the supermarket, cooking, cleaning, at a school play– she acts out increasingly aberrantly to counteract the feelings they generate, especially when she can no longer distinguish past from present from dreams, recalling Blanche Du Bois.

In Bangkok, the young Kham was raised by his father in the jungle with elephants as members of their family. When his old elephant and the baby Kern are stolen by criminals, Kham finds that the animals were sent to Sidney. He travels to Australia, where he locates the baby elephant in a restaurant owned by the evil Madame Rose, the leader of an international Thai mafia. With the support of the efficient Thai sergeant Mark, who was involved in a conspiracy, Kham fights to rescue the animal from the mobsters.

Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

The Civil War has ended, but Colonel Morsman Carver is on one final mission – to kill Gideon, no matter what it takes. Launched by a gunshot and propelled by rage, the relentless pursuit takes the two men through frigid snow-capped mountains and arid deserts, far from the comforts and codes of civilisation, into the bloodiest recesses of their own souls.

Several ordinary high school students go through their daily routine as two others prepare for something more malevolent. The film chronicles the events surrounding a school shooting.