A candid and intimate film following the eventful life of activist, publisher, and creator of diversity awards, Linda Riley. Combining interviews with fly-on-the-wall filming gives an insight into the ‘Head Lesbian of the World’ as she navigates the world of celebrity and politics.

A unique examination of the life-long existential journey taken by a self-made musician, his unforgiving ambition and self-destructive determination to express himself.

The people of Footscray are battlers and so is their football team. The ‘mighty’ Bulldogs haven’t won a premiership since 1954. The club is close to broke and the AFL keeps trying to kill them off for the sake of the national competition. Year of the Dogs is a documentary following the fortunes of the Footscray Football club, its players, fans and staff as the club struggles to survive the 1996 Australian Football League season.

A documentary focused on infectious disease outbreaks.

Atlantis is more visual art than nature film and a ‘must see’ for any Luc Besson fan. The film captures the feel of what it’s actually like to swim underwater better than any film I’ve ever seen, perfectly illustrating the form and texture of sea water. Beautiful. Highly recommended for anyone interested in visual arts or diving.

The search of several young, white men for blues singers who have been missing for decades coincides with the Civil Rights Movement in Mississippi in the 1960s.

Everyone knows the men who were executed in 1916, but seven of them left behind wives and children. Left in the shadows of their dead husbands, the stories of these women have never been told before on national television.

Autopsy examines how forensic examiners can help solve crimes. “Pure Evil” looks at the case of Canadian serial rapists and murderers Paul Bernardo and Karla Homolka. “The Lady Vanishes” examines a case where DNA on the envelop of a suicide note helps to establish that a missing woman was being impersonated by her husband. “Mail Rape” a rapist attempts to throw doubt on his case by sending an accomplice a DNA sample in the mail. “Blood Hound of Detroit” a dog trained to sense blood helps lead police to a murderer. “The Medicine Man” a medical examiner thinks that embalming will conceal evidence that he murdered his wife. “Belle of Them All” examines the notorious Norwegian-American serial killer Belle Gunness.

Wiz’s Weekender (1992) was a film ahead of its time, both in form and content. It engaged with contemporary issues that mainstream media were eager to sensationalise. Consequently, it was branded with an 18 certificate and banned by both the BBC and ITV, never reaching a wider audience. For the past three decades, Weekender has bubbled just below the surface, gaining genuine cult status and influencing a vast network of creators. In the run-up to its thirtieth anniversary filmmakers Tabitha Denholm and Adam Dunlop interviewed people involved in the project. I Am Weekender is built around those conversations.

The Savage Peace reveals the appalling violence meted out to the defeated, especially to those ethnic Germans who had lived peacefully for centuries in neighbouring countries. Using rare and unseen archive film, the documentary tells a harrowing story of vengeance against German civilians, which mirrored some of the worst cruelty of the Nazi occupiers during the years of war. The Savage Peace includes the unique testimony of eyewitnesses and victims, who recall the horrors with searing clarity, their memories undimmed 70 years after the events took place. This a story that has, until now, been untold amidst the justified celebration of an end to an unspeakable tyranny. But as the writer George Orwell said, the treatment of the defeated Germans was a terrible crime that has gone unpunished.

The Spanish national soccer team will change forever thanks to Madrid’s Iker Casillas and Barcelona’s Xavi Hernandez. Both, along with the best players of their generation, will turn a historically losing side into the best team in history.

Gary Lineker, Terry Butcher and Paul Parker revisit the scene of the 1990 World Cup semi-final between England and West Germany.