Melania Trump’s homeland is open for business.

Twenty five years after Miguel died from AIDS, his niece, filmmaker Cecilia Aldarondo, embarks on an excavation into a quagmire of unresolved family drama. Like many gay men in the 1980s, Miguel moved from Puerto Rico to New York City; he found a career in theater and a rewarding relationship. Yet, on his deathbed he grappled to reconcile his homosexuality with his Catholic upbringing. Now, decades after his death, Cecilia locates Miguel’s lover Robert, who has been shunned and demonized by the family, in order to understand the whole story.

A man belongs to a middle-class family and is intent on pursuing his career with a music group, despite his dad’s disapproval. He is also in love with the lead singer, but she sees him mainly as a friend.

Marco is an anxious nineteen-year-old on the brink of adulthood, with three subjects to make up, a mother who lives with her smartphone in hand, and a brother who dreams of being an indie singer. He’s anti-social and longs to experience love the way it used to be. Aria graduated the previous year, with “one day at a time” tattooed on her arm, and she lives each day as if it were her last. Following a wrongly memorized phone number, Marco and Aria meet and begin to develop feelings for each other… However, Marco is unaware that Aria lives one day at a time, not because she’s as beautiful and rebellious as she tries to appear, but due to a degenerative disease that makes her go to sleep uncertain if there will be a tomorrow. A fun and gripping teen love drama that narrates the incredible and surprising journey that the protagonists will embark upon. All in pursuit of something as simple as it is complicated in today’s world: falling in love.

A successful businessman whose destiny leads him to a secluded Swiss chalet where his life is put on trial by a group of retired law professionals. The men assemble to analyze Sordi’s rise to power and his increasingly immoral behavior as he attained success, and the warped perceptions of right and wrong he has adopted to remain successful.

When his brother asks him to look after his young son, Clifford, Martin Daniels agrees, taking the boy into his home and introducing him to his future wife, Sarah. Clifford is fixated on the idea of visiting a famed theme park, and Martin, an engineer who helped build the park, makes plans to take him. But, when Clifford reveals himself to be a first-rate brat, his uncle goes bonkers, and a loony inter-generational standoff ensues.

A sailing family makes 20 ocean voyages over two decades, sometimes following the path of Captain Cook, but more frequently following nothing but their own hearts and the siren call of adventure.

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A hustler who gets in trouble with a gang boss in the port town of Sukago agrees to make good with the don by putting him in contact with a mysterious hitman — an assassin the hustler has no idea how to contact. Instead, he hires an actor to play the role, though the thespian has no idea what he’s getting into.

Follow Kevin Garnett’s remarkable career and the pivotal moments that defined it.

This debut feature from Newfoundland’s G. Patrick Condon (Infanticide, Audition) is an inspired, meta take on the classic “cabin in the woods” horror trope. After squandering the money lent to him by a mysterious cinematic organization, a creatively frustrated writer / director, G. Patrick Condon, played by Stephen Oates (Frontier, Riverhead), has to take matters into his own hands by locking aspiring actress Grace (MJ Kehler) and the rest of the cast of actors in a rented house filled to the brim with security cameras and a script-spitting dot matrix printer. As time moves on, Condon slowly becomes the villain in his own movie by playing off the actor’s need to give the best performances they possibly can, while also satisfying his increasingly sinister demands; even if it kills them. Part Milgram Experiment, part A Cabin in the Woods, G. Patrick Condon’s Incredible Violence will have audiences talking for years to come.

On a flight home to Chicago for a family wedding, childhood friends Josh and Molly innocently agree to fake a wedding engagement to make Josh’s dying father happy. Things quickly get out of hand with their two boisterous families, and a series of events causes them to pretend to be a couple and start planning a phony wedding. When the playacting begins to foster real feelings, the two must make some serious decisions: Split up and return to their lives in LA, or make a life as a couple back in Chicago?