A man does everything in his power to keep ownership of a seaside cottage he built with his late wife.

A young Arab-American girl struggles with her sexual obsession, a bigoted Army reservist, and her strict father during the Gulf War.

A woman tries to determine if her rape was legitimate or not.

A caregiver at a small retirement home takes one of her patients for a drive to the country, but the two wind up stranded in a forest where they embark on an exhausting and enlightening two-day journey.

A washed-up tennis pro begins coaching a hopeful teen, Joel Robbins, whose overbearing father wants to discourage him from playing.

Hakan and Ozan are brothers who can’t get along well. They meet again in their father’s funeral. Even though they want to get back to their daily lives, their father’s will won’t allow it.

Life for a happy couple is turned upside down after their young son dies in an accident.

Entropy is a semi-autobiographical film which tells the story of a young director struggling to make a film for a despotic studio while his life falls apart around him. Along the way, he goes on tour with U2 to help them make a music video, gets married in Vegas, and has a conversation with his cat.

A teenage interracial couple in the 1950’s rob and steal to escape the bigotry of the American South. But when things turn violent, they are forced to confront the dark secrets of their own.

Shakespeare’s 17th century masterpiece about the “Melancholy Dane” was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev’s Elsinore was a real castle in Estonia, utilized metaphorically as the “stone prison” of the mind wherein Hamlet must confine himself in order to avenge his father’s death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet’s delivers his “To be or not to be” soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

In The Secrets, two brilliant young women discover their own voices in a repressive orthodox culture where females are forbidden to sing, let alone speak out. Naomi, the studious, devoutly religious daughter of a prominent rabbi, convinces her father to postpone her marriage for a year so that she might study at a Jewish seminary for women in the ancient Kabalistic seat of Safe.

Gabriel refuses to obey a prefectural decree which requires him to treat his vineyard with pesticides. As an advocate of biodynamic principles, he opposes the use of chemical products on vines.