An uptight, conservative, businesswoman accompanies her boyfriend to his eccentric and outgoing family’s annual Christmas celebration and finds that she’s a fish out of water in their free-spirited way of life.

After years of paying his dues in every bar from New York to Pennsylvania, New Jersey Rock n’ Roller Jimmy Ford trades in his rock n’ roll fantasy for the bright lights of Nashville. His new life in the Music City presents staggering highs and lows, but everything may not be quite as it seems. Jason Michael Carroll (Country Music Star whose Top 40 hits include “Alyssa Lies” “Livin Our Love Song” and “I Can Sleep When I’m Dead”), and Katie Garfield (“The Birth of a Nation”) lead an extraordinary cast in this genuine, compelling drama that really boogies. Despite lofty expectations, Jimmy Ford (Carroll) quickly realizes that Nashville presents its own unique challenges

What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex …

Two Nova Scotian teens who hit the road in July 1976 accompanied by the laconic ghost of (the still-living) Andy Warhol.

A young filmmaker begins shooting his ‘perfect horror film’ during a movie marathon, oblivious that a real life killer will exploit, inspire and alter the outcome of his movie.

Thomas is turning 16. His dad’s in the army and they’ve just moved to a town in New South Wales; his mom is pregnant; his older brother, Charlie, who’s autistic, has his own adolescent sexual issues. Thomas finds Charlie an embarrassment in public, so when Thomas is attracted to Jackie, a girl in his swim class, Charlie presents any number of obstacles when she drops by their house, when the three of them go for a walk, and during a family birthday dinner. Can Thomas find a way to enter the world of teen romance and still be his brother’s keeper, or is Charlie’s disability going to prove more than Thomas can handle?

After many years away, Ariel is summoned by his distant father to his childhood home in the bustling Jewish quarter of Buenos Aires, known as El Once. Over the course of seven days, during the vibrant holiday of Purim, Ariel seeks to reconnect with his father, who runs a Jewish charity and is regarded as a big macher in the close-knit community, but was frequently absent due to his obligation to fulfill the Jewish quorum of having 10 men present at all funerals.

Last Day of the Dinosaurs is a 2010 Discovery Channel television documentary about the extinction of the dinosaurs. It portrays the Alvarez hypothesis as the cause of extinction.

A psychological thriller surrounding the real murders of Manfred and Marísia von Richthofen orchestrated by their own daughter, Suzane, along with her boyfriend and brother-in-law, the Cravinhos brothers.

Dahlia Williams and her daughter Cecelia move into a rundown apartment on New York’s Roosevelt Island. She is currently in midst of divorce proceedings and the apartment, though near an excellent school for her daughter, is all she can afford. From the time she arrives, there are mysterious occurrences and there is a constant drip from the ceiling in her daughter’s bedroom.

The comedy of the year. This wannabe magical romance-drama is one of the most illogical films ever and the actors, if not director Kam Kwok-Leung, may be aware of it. Featuring CGI tears and paintings of corn-eating monkeys. The highlight: Chang Chen pretending to be Korean.

After the death of her parents, a young woman assumes primary guardianship of her special needs brother. But as she attempts to balance her new life with her brother and her own blossoming romance, it becomes painfully clear that life will only make room for one.